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*Although we had planned to update “Basement Exhibition Room” in the advance notice, we have changed the schedule and will send you work No. 27.




 The newly exhibited work No. 27 is perhaps the purest work in the Girls' art museum. A former sister, she was not allowed to show her bare skin even to people of the same sex, in accordance with the precepts of the Church. She was such a pure and innocent girl, but now she is exposing her perversity to the public with her legs raised wide.

 The most distinctive feature is the chastity belt attached to her breasts and cunt. They are locked with multiple padlocks and can never be removed except on “worship days. In addition, the works are daily coated with an aphrodisiac lotion by the attendants. The sensitivity of the body is increased dozens of times over the normal level, and just a slight stroking of the limbs is enough to make the body so sensitive that it climaxes.


 However, she is only a work of art to be displayed. Visitors to the museum can only admire her, but never touch her. The inexhaustible sexual desire and the numerous stares directed at her naked body. These two unknown sensations will be a humiliation beyond torture for the innocent girl.




 Then there is a “day of worship,” a day when the chastity belt is removed from the work. On this day, the chastity belt is removed, and you can admire the steaming virgin pussy and erect nipples. The slightly pink virgin membrane is a work of art in itself.


 Of course, that's not all. After being carefully and deliberately admired in the sexual zone, they are made to come right in front of the assembled crowd. Although the virgin membrane must not be damaged, so insertion is not allowed, the work that has been kept on the edge for so long will still come deeply again and again.


 Normally, worship services are held every seven days. However, the next service date will be postponed for the number of times the work climaxes. The date of the next service is indicated at the top of the work, so please visit the museum to see the work's virgin cunt, nipples, and climax.



 When my work was human, I worked as a Sister in the Church. She lost her parents in an accident when she was a baby and was raised in an orphanage attached to the church from an early age. She helped the church while attending school from an early age, and after graduation, she officially served the church as an apprentice sister.


 Her dainty, flower-like beauty was so much talked about in the community that some people used to visit the church just to see her. However, she was extremely shy and was not good at going out in public. She was also not good at expressing her own opinions and was easily swayed by the opinions of others when talking.


 At the same time, however, he was also a kind-hearted person who was willing to help anyone in need. He seemed to be able to converse well, especially in the confessional where he did not have to face people directly, and he listened to the problems of many people. His voice, which was thin but clear, was reputed to be just like an angel's, and he soothed the hearts of those who listened to him.




 In the church she belonged to, it was not considered good to show skin even to people of the same sex, and she had to change clothes and bathe alone. Naturally, sexual intercourse and masturbation were also forbidden, and it seems that the artist had never experienced even sexual arousal.


 However, she is betrayed by the church in which she grew up. The church was in financial difficulties, and in return for a large sum of support, she was brought to the museum. The white lily headdress on her head, she says, is a sign given to those who have taken a lifelong vow of purity. Even if she loses her human rights and dignity and becomes a work of art, her purity will be protected forever.



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Next Update

I will be submitting the story for No. 27

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