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This is the 2nd of 3 parts and it goes through the tools and concepts I am using in the block in stage of this project. I am painting on a piece of linen mounted onto an archival hardboard panel. My palette here is Ivory Black, Raw Umber, Alizarin Crimson, Vermillion, Yellow-Brown, and Flake White.

Audio Start Times- 00:01, 40:54, 1:35:55, 2:01:29

If you have any questions, just leave them in the comments!

Files

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April Pt 2

This is "April Pt 2" by stephen bauman on Vimeo, the home for high quality videos and the people who love them.

Comments

Kimberly Ferrell

I am curious about how you prepare the board that serves as your palette and support. DO you varnish it or rub linseed oil into it? I use a piece of ply on my easel as well but I haven't used the surface as a palette.

stephenbaumanartwork

Hi Kimberly! That is a palette I bought from New Wave Palettes. If I hade to make my own I would probably uses a few layers of sanded shellack.

Denise Barta Sagan

Hi Stephen. I have two questions for you. First, do you only use a primed linen surface when you paint? I took an online painting class with Susan Lyon and she paints on museum board that has 2-3 coats of polyurethane. This surface is very slick and almost impossible to do the initial drawing with a pencil. I also find it difficult to paint on because it has little to no texture to catch the paint. I'm assuming Susan is not the only painter that paints on a slick surface, but is that commonly used and can it be used for your kind of painting- which leads me to my second question. Would you say that you draw with your brush compared to some painters. I am more into drawing but want to paint as well and would be delighted if I could "draw" with the brush. I hope that makes sense.

Denise Barta Sagan

Another smooth surface that I've noticed oil painters using is copper and even ceramic tile. Have you painted on any of those?

stephenbaumanartwork

Hi Denise, these days I paint on two surfaces. Lead-oil primed linen, or PVA primed paper. Neither are particualrly slick but the linen is the slicker of the two. I do draw with my brush and sometimes only with my brush. However, I quite like to draw with a pencil as well.

Debra Schulman

Hello Stephen, I am a recent Patreon to your site, and totally enjoying the learening experience. This is the 2nd tutorial of yours I am following. (first was painting the eye). I am upgrading some of my paints and noted you use Vermillion as your red. The brand I am looking at is Old Holland. They have a Vermillion Extra and Cad Red Medium Vermillion available. Would you mind sharing which is your preference....your colors look so rich and warm. Thank you!

Eva

Hi Stephen I am a new patron of yours and very much enjoying your teaching after only 24 hours. I have noticed your raw umber to be very neutral, it appears almost grey to me. The raw umber I use is a darker brown, much like the red and black you mixed at the beginning of this video. Am I right in thinking your raw umber is different, or is it just the screen altering the colour? Eva