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I want to stress that this might not make any difference, but I wanted to give it a shot.

I was just wondering what you all thought about things around here. IT can be anything, really. Things you want to see more of, how you think things are, that sort of thing.

No, this isn't a place to request characters for me to do. So please don't.

Again, this might not affect anything, but I was curious on people's opinions on how/what I'm doing.

Comments

Aquiles

I would like to see a lot more varied characters, but I like the way you've been working, how you design and draw Daphne Reynard, your OC and other characters, the truth is, it's an excellent job and I want you to continue on that path.

Appelflap64

I would say. give out more opportunities for people to commision you. though I'm also gonna be honest with you, this suggestion is probably born from my satifaction of my comm I did with you.

The Useful Rooster

I might be biased here, but I always lean towards hypno content, so I'd like to see more hypno variations whenever that's acceptable to do.

Gordon Bennet

I admit to preferring official characters over fan-made ones. Sailor Senshi in particular (Jupiter I can never have enough of). But I also like the more under-utilised damsels that occasionally pop up.

alex rojas

Your Lineart is very clean and you nailed down a thick line style. I’d recommend looking into gesture drawing and making faces expressive. Like the damsel feels very strongly about how they’re tied up and en external reason wanting to be free and speak (besides just because they’re tied up). As well as the personality of said damsel For example: I like asuka. b&g because she foolishly tries to be a hero while disrespecting others whenever she fails or even succeeds. It’s the brat taming aspect (personality) . I might even think a story that lead to her being tied up either by actually making a selfless sacrifice or she really wants to fight but she’s tied up for her protection, (Basically using traditional storytelling approaches to enhance the experience of your art. more perspective practices as well such 3 point perspectives. Most of all follow what you deem to be genuinely fulfilling to you as a person (which if see,s you’re on the way to do just that) Think of various creative tools, as mentioned above, to have them all synergize together into your work