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Kayla’s open legs actually represent her “opening herself up” emotionally. Notice how she closes them as soon as she attempts to pivot the topic of conversation. I state this publicly just to test whether or not literary scholars analyzing works from hundreds of years ago are full of shit or not. So, if in… three to four hundred years from now, these future philologists come up with a bunch of meaning to all this but don’t bring up that particular author’s intent, you’ll know they might have just chosen a gig where they can make up a bunch of shit that makes them sound smart but conveniently can’t be verified because the original authors are long dead. Well this eventually “long dead” author thought to set a trap for you motherfuckers!

So, now all you need to do is remember all this and somehow live at least three hundred or so years. Hmm… there may be a hitch in this plan.

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