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Content

CLICK TO WATCH VIDEO LESSONS

This series is designed to deepen your understanding of values—one of the most crucial elements in art—through the powerful technique of monochrome painting. We will be painting in the footsteps of one of my favorite painters--Maestro of Monochrome, Genius of Grisaille, Virtuoso of Values--the great Jean Auguste Dominique Ingres.

Key Features of the Workshop:Monochrome painting is a technique the Old Masters used extensively in their painting process in order to establish light, form, and atmosphere, before introducing color. Beyond it's essential role in the classical painting process, practicing monochrome painting also significantly enhances the following skills:

Light: Achieve realistic lighting by mastering the nuances of light and shadow without the distraction of color.

Form: Gain clarity in defining form and achieving depth, making your subjects more lifelike.

Atmosphere: Create a powerful sense of space and atmosphere through subtle shifts in value, immersing viewers in your artwork.

Weight: Add a tangible sense of weight and mass to your subjects, making them feel grounded and real.

Composition: Improve the flow and balance of your compositions by effectively managing value contrasts.

Note: It's also possible to follow along with this workshop using dry media drawing instead of oil painting.

Exciting New Teaching Tool:I'm also excited to include a new teaching tool that I believe will make understanding light and shadow relationships more accessible than ever. This innovative approach will help you see and interpret light and shadow with greater clarity.

How to Prepare:During this workshop, starting in lesson #3, I will be painting on an 8" x 10" panel, on which I will have this drawing prepared. You may draw it directly on a painting surface, or prepare the drawing on a separate sheet of paper and then transfer it to any painting surface by using this method. If you'd like to paint along with me during the workshop, I recommend having this drawing prepared on a painting surface. You may also follow along with dry media, in which case I suggest having the drawing prepared with willow charcoal on gray paper. During lesson #2 I will also use this underpainting to demonstrate a value-driven sketch.

Recommended Supplies for painting:

 A selection of oil painting brushes (I will be using mostly soft sable/synthetic brushes)

 A surface on which to paint (canvas, panel, or paper. I will be working on an 8"x 10" panel)

 The following oil paints: White (any, I will be using Flake), Ivory Black, Burnt Umber

 A palette for mixing paint

 Paper towels or rags

 A solvent suitable for oil painting (Gamsol, Spike Oil, or Gum Turpentine)

 A fast-drying medium (like Liquin or Galkyd)

 Willow charcoal

 Tracing Paper

 Workable Fixative

Recommended Supplies for drawing:

 Gray sketch paper or charcoal paper

 Black and white charcoal pencils, eraser, and sharpener

 Natural Willow Charcoal  

 Chamois

 Eraser Stick

Hope you're excited!!

-Ken

Files

Comments

Brian Reisman

Hi Ken, this is very exciting! Would you be against providing an alternate material list for someone who wants to follow along and but will not be working with oils? Perhaps gouache? I realize not everything will be a one for one but I'd like to participate as closely as I can without using oil

Pinki Chatterjee

Hi ken, what are the colorful label stickers ? Can you please link some ?

Diana hoyt

This looks like it will be excellent! Thank you for doing this!

Julie DenBeste

I am not available on Tuesdays but I will watch the replay!! Looking forward to it.

Mary

Do you use pencil to draw on the panel or do you suggest another?I’ve never done

Pinki Chatterjee

Hi Ken , do you want us to complete the drawing and transferring before class ? If so, which one are we starting with ?

Christina Exon

Hi Ken! When I click to view the drawing it tells me that I need to upgrade and I do not have access to the linked lesson/ drawing. Is that normal? I thought the existing membership would allow me to view your content. Please let me know :)

Joe Huffman

Hi! Would you be able to post a recording of today's session?

Rachel Oleson

I just joined so I’m not sure how this works. Where will people be sharing their work? Here? Or is there some other place to share and view work?

Paul ward

Love this Ken thank you

Elaine Peltier

How do I find a heat map tool to use with my own reference photos? Thanks

Anne

Bonjour, I am from Paris and I would like to subscribe on Line next august. Where can I find thé liste of your courses to make a choice. Regards. Anne Olivier

Sara Pendergast

Thank you so much for this workshop, Ken. I learned so much from it, and especially appreciated the way you talked about value in creating compositions.