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Materials for lesson #7:Willow charcoalNewsprint paperChamois eraser, kneadable eraser, hard eraser

Painter Skills Drills:Lesson #1 - how to paint an underpainting and avoid common mistakesLesson #2 - color theory and mixingLesson #3 - how to paint a grisaille and control valuesLesson #4 - the tricolor palette and chroma distributionLesson #5 - the complimentary color palette and chroma neutralizationLesson #6 - figure painting and the Zorn paletteLesson #6.5 - figure painting and the Zorn palette 2Lesson #7 - charcoal sketching and value compressionLesson #8 - the benefits of palette knife sketchingLesson #9 - how to glaze with color on a grisailleLesson #10 - how to design a composition

Reference image is attached. Enjoy!

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Intro to Painting #7: Charcoal Sketching and Value Compression

Comments

Paul ward

Hi Ken love this one. You explain things really clearly so thank you. I was taught when doing portrait paitings to seperate the light and the dark from each other and they should not compromise each other but I really dont understand this does it mean the shapes in the dark section of the painting should have a totally different tonal value scale to those in the light areas? Thanks Paul

Paul ward

Thankyou and look forward to it.

Soheila

Ken, I watched it few times and really enjoyed your explanation about squinting. You are an amazing teacher. Thank you so much 🍀🌻

jasper Grunditz Ustrup

Hello Ken, and thank you for these excellent videos! You mentioned in an earlier lesson that you have a collection of photos of paintings for master studies. Is it possible to find this collection somewhere?