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This episode was sad, interesting and wholesome at the same time.

I was sad that they couldn't remember what it was like to be in a home. Them dreaming of what their home would look like was a nice little dream while it lasted. I have a roof over my head, but I dream of owning a home.

The nap sequence was odd. I don't know where to go with this part, but it was funny to watch!

The rain portion was great. Getting the opportunity to let nature make music and enjoy it was so wholesome!

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Andrew Hellebrand

We can assume the different more narrative based chapters within the episodes probably follow on from each other chronologically, but each chapter isn't necessarily the literal next day. Though it's also possible we could be viewing some of these vignettes more out of sequence, if we are assuming they all follow on chronologically from each other, then I think there was slightly bigger time-skip between 'House' & 'Nap'. Since they traveled up to this higher level of the city with the photographer they've commented on the electricity still working and this seems mostly in relation to street lighting, as well as in some buildings and ventilation systems like in 'House'. They've been used to sleeping once it gets dark like in pre-industrial civilization, so all this additional nighttime light pollution would probably impact on their sleep patterns whilst they adjust. As soon as I saw 'The Sound of Rain' (been re-watching the series as prep for your reactions) I thought you would likely vibe with it and I liked how they let it play over the credits in place of the normal ending theme, felt like they gave it enough space to breathe. It also reminded me of an anecdote from an interview with Jill of Unlucky Morpheus, where she revealed that she has absolute pitch and unless she makes a point of controlling what her ears are focusing on she instead hears the pitches of everything around her, from things like a cup being tapped, to the pitch of the rain itself. It probably helped her ears develop a more focused approach that when she first start playing violin aged 3 she learnt via the Suzuki Method (same as pianist Hiromi Uehara), only learning to read music in junior high and having already played challenging repertoire before then, having learnt the material purely by ear.