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Had a discussion with another author recently, ended up giving my usual 10:1 ratio for ebook to audio sales. Matt Diniman (of Dungeon Crawler Carl fame) came in and pointed out his numbers were more 3:1. That made me pause, clarify a few questions and then, since I hadn't updated my numbers in over 2 years, do some math of my own.

And would you know it? The numbers have changed.

It's why having up to date information is important. So, here's the details of what I've seen:

So, I've used book 1 for most of these except for ATL where it was easier to grab the whole series information. Now, the ratio for ATL as a series is probably lower since I'm missing some months but it's good enough for this. In fact, with LitN it's actually 3 (just rounded up for ease of reading).

Conclusions that can be drawn potentially:

- your ratio is going to be around 3-5 depending on book length, popularity of book and narrator popularity.

- both series that I expect to sell beneath the 3:1 to ratio (SA and ATL) are narrated by incredibly popular narrators (Nick Podehl and Travis Baldree respectively). The one's that do well like AoB are by Eric Martin, while Patrick Zeller is mostly unknown and does Gamer's Wish while Leveled Up Love is by the amazing Natalie Naudus but she isn't huge in LitRPG. So...

- book length probably affects things somewhat. AoB is 5-6 hours, HW is 6-7 hours, the others are 9-11 hours except LuL which is 15! You'll likely see a worse ratio if your work is shorter

- lastly, remember to always confirm how long ago data came. LitN data has shifted by over 10% (i.e. Audio units are 10% more than previous as a total) while HW and AoB numbers are still hanging around the rough % ratio. 

Cavaets

These 10:1 or 5:1 or 3:1 ratios are definitely something you want to be careful about using especially if your work doesn't line up exactly (shorter works, much longer works, hit series, unknown narrator, etc.).

There are also other factors that aren't tracked here - when did these audiobooks come out compared to their previous works? How much marketing has been put into it? How's the Omnibus doing compared to book 1? How long has each work been out comparatively, etc.

As always, this is a guide; not a guarantee. But here's hoping it's useful for you all.

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Comments

Robert Rowe

As an exclusive audiobook reader (my vision is very bad and reading is sadly very difficult), I completely agree with the points that you made about audiobook success. I'll buy almost anything narrated by Luke Daniels, Nick Podehl, Jeff Hays, or Travis Baltree. I'm sure the rock star narrators are more expensive but I think they are critical to the audiobook's success. I've listened to all your work that has audio versions except Leveled up Love and it was initially the narrator that drew me to them. The AoB narrator was adequate but could have been much better. Also audiobooks are more expensive than ebooks ($11 to $15 depending on how you buy your credits) so we look for a good value. Length is critical. 11 hours is generally considered the low end of acceptable. Sorry Tao, I know you like writing shorts and I love listening to them but the value to cost ratio is often hard to swallow. I actively look for longer play times. Collections of 3 books or more can work. This is how I listened to AoB. Some authors are trying to game this fact with ultra crunchy books (lots of repetitive stats). This is counter productive. The reviews all complain about it and we stay clear of these works. I have some good news though. I'm in the process of getting cataract surgery so if it's a success I'll be able to read again. I've listened to over 500 LitRPG books but I've never read one. I'm curious about how the experience will be different. I suspect I'll hear Nick's voice in my head when I read LitN.

Kyle J Smith

Great post as always! It is truly fascinating to read about the business side of publishing!

Tao Wong

Oh I get it, and I don't blame people for that. It's one reason we are pushing out Starlitpublishing.com a lot more and we're basically looking at making our shorts and what not a lot more fairly priced. Of course, with shorts you can just listen to them here. :) But overall, having more control over pricing and receiving a higher % of the take means we can do things like price a short at $1 on our own site or make a bundle of them for $9.99 or whatever.

Jim Balkwill

I wonder if my style of reading audiobooks would be unique or the norm. As I subscribe to Kindle unlimited I will always get the book (why not) and then jump into the audiobook (998 and climbing). I would mirror Robert as I do find that I follow the narrators to the author. My outlier is Royal Roads and Patreon. Which again probably is unique as I will always pull the Kindle unlimited ( try to post a positive review to help the cause). However, might or might not get the audiobook unless I like the narrator. Have all the Dungeon Crawler Carl audiobooks :-), preferred to listen than reading for this series.

Robert Rowe

The latest Dungeon Crawler book is being recorded now and should be out soon (according to a tweet from Matt). I'm re-listening to the series right now. The ebook has been out for a couple of months now. Life in the North got me hooked on the apocalypse sub- genre of LitRPG. I love how the GameLit genre has such a large variety of sub-genres forming. Just looking at Tao's work I think he covers at least 5 different sub-genres. There's something for everyone and the variety keeps things fresh and interesting.