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Colors: Ultramarine Blue, Sap Green, Alizarin Crimson, Burnt Sienna, Yellow Ochre, Cadmium Lemon, Titanium White  

Medium: Liquin Original  

Surface: Acrylic primed stretched canvas

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Child Portrait

Colors: Ultramarine Blue, Sap Green, Alizarin Crimson, Burnt Sienna, Yellow Ochre, Cadmium Lemon, Titanium White Medium: Liquin Original Surface: Acrylic primed stretched canvas

Comments

Rory Jean

When using liquin, does it count as a fat for the fat over lean principle? It confuses me cause it speeds drying time instead of slows drying time, so I would think you wouldn’t want to use paint straight out of the tube underneath liquid.

theresa adams

OMG thatisdifficult. I don't think I have the patience to get to your level!!!!!Good job!

Andrea Rorie

Loved this demonstration. Very helpful.

Chris Fornataro

It's Liquin original and it speeds the dry time. Its considered a fat but you don't want to use it over top of straight paint. I always use less and less as the painting goes on

Nadine Mace

Totally enjoying your tutorials!!! Could you possibly tell us what you are using to darken the face values. You touch your pallet but sometimes don’t say it...for people like me who need a little more info. Now go paint!

nancy edge

Please explain your color mixing values along the way. You keeping dabbing but not explaining. I am new to portrait painting and it would be very helpful. I am seeing the values as a map to bring the painting together.