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Thanks a lot to all of you for your continued support throughout this year and let me give you some idea about my plans of what to expect for next year.

I am currently on holidays and will be back on 2nd week of January. After my return I want to prepare a more detailed tutorial covering the EQ settings used for all “smooth tunings”, what to adjust to get the desired effects as I cannot predict how others may perceive the settings which I tailored towards my own ear. I would also like to prepare further tunings for the Free Pro 2 and start with a tuning strictly towards Harman optimised for all resonance frequencies, although I personally hear it worse sounding it may be favoured by many others. I would also like to extend my current “smooth tunings” for resonance frequencies that I didn’t even consider doing as I was not aware of the wide distribution of ear canal resonances. Thus if your ear resonance is beyond the provided values please send me a message and I will try to cover those extremes as well if I manage to set up a measurements with those values.

I would also like to create a HD800S type of sound for the Free Pro 2 coming next and with every new tuning you would basically get a new headphone “for free”, I also thought about preparing a tuning based on Etymotic’s sound profile and some more sounded tuning profiles not having any neutral reference target in mind, just trying to make the sound appealing.

I am currently evaluating an IEM sample as potential candidate for market release:

Although it would be a very simple product without any fancy functions like ANC etc. it is very small (original product name is “Petit”) and nearly disappears within the ear I also want the housing to be transparent to emphasise the “crystal clear” sound. I have finished a first tuning for it which I like a lot, sounds a bit more mainstream than what I did for the Free Pro and Free Pro 2, but it will be hard to compete against all the cheap offerings from Anker, Earfun not even talking about all the noname stuff flooding the IEM market. I want a high quality sound to be the main selling point compared to the competition which just doesn’t seem to care about sound at all. I probably won’t be able to cover all possible ear canal lengths and thought about a combination of different tips with switchable tunings to offer a decent sound for most, but it will come down to how much interest I can really attract to afford the production costs, because in reality I won’t offer you anything “new” compared to the Earfun Free Pro which hardware wise is definitely superior. I am not a salesman but rather interested in affordable quality sound for everyone.

I am also in contact with an ODM factory about a wireless over ear headphone which can be build after my template and specifications with me having the final word on design, features, tuning etc. As R&D costs will be high it will also depend on how successful I will manage to continue with what I am doing now and if financing of such a product could be realised at all.

Another goal would be to start a completely new audio database like I already did before capturing various audio devices in the most realistic way (I mean scientifically correct and maybe more valid than most measurements published). That would imply that everyone is using the same monitoring system to guarantee that you are really hearing what I was hearing and recording. This already works quite well for my current binaural recordings which should sound “correct” to you (or very close to the real thing) when listened over a “flat” headphone (with flat I am referring to a headphone which is equalised to the “Optimum Hi-Fi” target. Some headphones following this target quite closely even without an additional EQ: HD600, HD650, Focal Elex etc. and in the meantime I can also add the Earfun Free Pro 2 with my current tuning to this list. I also want to optimise my recordings even more to get an even more realistic result when listened over the Free Pro 2 although it’s already very close and especially imaging appears more true to me than from an over ear. I noticed this particularly with my last outdoor video with the Bose Soundlink Flex and JBL Flip 6 where I could really hear the speakers playing from behind my back and even turned around. The deviation of the recording to the “real thing” will be much less when listened over a flat tuned Earfun Free 2 than from most other headphones and I want to expand this onto my new microphones that I should get during the next weeks. I have several pairs of custom built microphones with different designs for different purposes on arrival which will again require some time to get the desired quality with lots of listening sessions.

The work I invested lately into my own neutral IEM target should finally also allow me to capture IEMs with a way more precise degree compared to the MiniDSP I used so far where everything was just an approximation not to mention the lack of consistency for the MiniDSP.

Just like I use the equalised HD600 for self referencing with my binaural recordings I will use the Earfun Free Pro with my latest tuning for self referencing all my IEM recordings done with the couplers. Even if my target may be still off in various areas, it is nevertheless way better than anything else I know which would represent “neutral” in a better sense. This means if you use the Earfun Free Pro 2 with your EQ profile to monitor these recordings, you should get a very close idea about the sound of the recorded IEM. But this also means that a recording of the Earfun will basically sound like the original recording, because the Earfun Free Pro 2 needs to reproduce itself without coloration, that’s the idea behind self-referencing.

Once we settled all for the same monitoring system, we will need to talk about what kind of sample tracks I shall include for the database.

Of course I can only do all this thanks to my Patrons. This is my only source of income right now. I am not sponsored by any company like Sennheiser offering me half a dozen of headphones for giveaways because I am not the right person for any kind of sponsorship, I am not interested in promoting any products that I wouldn’t even consider buying.

On top of this once I managed to optimise my upcoming microphone setup I have plans for some larger videos comparing all Sennheiser headphones that I own like HD560S, HD600, HD650, HD660S together with a comparison of some Beyerdynamic headphones like DT770, DT880, DT990…

I wish everyone the best, good luck and health for the upcoming year and hope to see you again here so that we can explore all the myths of the audiophile world out there together!

Yours, O.

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Comments

Marioragcurtain

I wish you and your family all the best in 2022!

KlarkKentThe3rd

Same to you, my.......... austrian? sound product reviewer.

ᗩᗰIGᗩ 500

@Oluv: Großartige Pläne; alles Gute dafür! Ebenso alles Gute generell in 2022; für dich und deine Familie, vor allem Gesundheit! 🎉

Bam Bam

Do what you do best and the rest will follow! Have a wonderful new year!

Eliot Jacobsen

Those sound like excellent plans for 2022.

George

Einen guten Rutsch ins neue Jahr. Mit bester Gesundheit und Laune. Ehrlich gesagt kann ich mir nicht mehr vorstellen was da noch toppen könnte was Du mit Earfuns 2 gemacht hast. Hammer.

Thomas Wesolowski

Lieber Olaf wünsche Dir alles Gute für neue Jahr! Finde ich toll, wie so ein "Neben-Projekt" mit OG im Jahr 2016, sich zu einem finanziellen Standbein für Dich entwickelt hat. Ich verfolge Deine Videos immer noch sehr gerne, wobei ich mehr die Videos über BT-Lautsprecher mag, statt den Kopföhrer Videos. Aber mich freut es, dass Du dort so viel Herzblut reinsteckst und nun auch Firmen Dich nach Deinem Rat fragen, um wirklich grandiose Produkte zu entwickeln. Ich wünsche Dir und Deiner Familien das Beste für das nächste Jahr. Genieße Deinen Urlaub! Viele Grüße!

Chet D

Aim for the stars! Here's to a successful and delightful 2022!

Kim Ljungberg

Thanks Oluv. Hope you have a happy and prosperous 2022. Glad to be part of this adventure.

Gary Turner

Greeting Oluv, have a fantastic holiday break. Big thank you for all your hard work, dedication & commitment throughout 2021. Looking forward to your adventures in 2022, take care buddy & Happy New year

Alexander

С Новым Годом, Олув! Счастья, здоровья, любви! Спасибо за большой труд и приверженность объективности!

Anzor Bayramkulov

Thank you very much Oluv! I wish you every success in all your endeavors! Happy new year!

Crispin Herrod-Taylor

I really enjoy reading about what you are doing, I worry about the commercial realities of making your own products though. It's one thing to do something for yourself, and another to convince others to favour your product over another, better known name. In this regard, you have done well to get a good following here and on YouTube, and this will certainly help you, but the wider you start to go, the more obstacles you'll start to face. It's interesting if you think about all the "average" earphones you've auditioned, and how they have been sold, and presumably bought. I think there is a wide variation in how and what people hear. Many people simply don't hear at all, and buy something because it's visually appealing, or has a cool brand attached to it. Once bought they will be quite happy, because they know no different, and nobody will ever publicly admit that they made a bad choice. Those that can hear, can also get obsessed about one aspect of a design, and end up continually purchasing products to get that "perfect sound". I think you have a good thing going, and are enjoying the journey. My advise would be to keep looking at the EQ/ DSP add ons to another companies product. Let them do the hard work of financing, designing, fulfilling and customer service, and leave you to enjoy the analysis and tweaking them to make a better product for your followers. Perhaps look at an EQ /Dynamics app specific to what you're doing? The R&D costs should be less than making a hardware product, and it will be much easier to describe and sell. All the best for '22, keep up the good work, and keep moving forwards!

JB6789

It is really ashame that devices like the KZ AZ09 Pro (~$30-$40 on AliExpress), an earhook/behind the ear bluetooth 5.2/AptxHD device that is able to pair with any QDC coupled IEM (or even standard 2-pin IEM, using cheap QDC to 2 pin adapters), cannot be custom tuned using the AirReps15 6x app. If a similar device (i.e.: with an unlocked Airhora chipset) were available it would open up a huge number of IEM's to a custom tuning over bluetooth 5.2. It would counter the need for more expensive accessories like the ES100, BTR5K, or Qudelix 5. My KZ AZ09 Pro w/ Tin HiFi T3+ is my second favorite piece of audio gear, next to my custom-tuned EFFP2 (of course)!

Irrelephant

Sounds like you've got quite the year ahead Oluv. Thanks for all your hard work, and hope to see great things! The "Petit" looks promising from it's form factor.

Niek

I agree, would be great if you could have the flexibility you describe. I would also really like to see a portable DAC like the Hidizs S9 PRO with EQ possibilities. Or do these already exist?

D. Oeltermann

Many thanks for all time and work you have spent in the past. Your aim to find or tune neutral sounding devices is highly appreciated and was always helpful for me. Keep your head up high and all the best for 2022 to you and your beloved ones. Cheers Oluv! 🙂

Michał Rękas

Wszystkiego Najlepszego w Nowym Roku Olaf ! 🎉

JB6789

Pretty sure the ES100, BTR5K and the Quedelix 5 all have EQ capability. The Quedelix even comes preloaded with presets from existing libraries (e.g. Crinacle). That being said, the ability to custom tune an IEM with a BT earhook would expand that door of customization to a much larger audience. Especially at these lower price points. Wireless being the added benefit.