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'The ancient and awe-inspiring form of the Elder folk tower looms on its icy precipice in the distance. After long days trudging through the high mountains in search of the perhaps once magical fortress, you realize the structure has large gouges and holes in its walls, but more importantly, is still out of reach. A deep mountain gorge stands between you and the tower and as you survey the surrounding mountain range, you see there is no clear way up. The questions again ring clear in your mind. Who were these beings that could construct such a building, and how would they ever reach it? And if they built this tower here for a reason, what secrets might it still hold?"

I'm having a lot of fun exploring the idea of the ancient and seemingly long gone Elder Folk, whoever they might be, from my world. As I've stated already, I like to think of them as almost Lovecraftian in nature and I want to try and have their strange architecture reflect that feeling. So, I hope that comes across in this one. 

I hope this location will also be useful to some people in their Rime of the Frostmaiden campaign as a somewhat unique location, or just as a general interesting set piece. But also, this location will be used in an upcoming D&D stream, so I will post about that when it's released for those who might be interested. I know I will be :)

As always, let me know what you think about this location and if you have any cool ideas for the Elder folk race. I will be back to some Curse of Strahd locations next, so stay tuned for them.

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Comments

Carl Green

OK, here goes... I really, really enjoyed your earlier Starter Set and Curse of Strahd images - just last session my players were blown away by your illustration of Van Richten's Tower... they could not believe the detail and the mood that you captured. But.... I have been disappointed by the recent 'generic' images you have posted. In my opinion you can't compare this image of the "Mountain Tower" with Van Richten's... it almost seems like a different artist. Sorry to have to say it, but even with some of the Strahd art, I miss the earlier quality, as to me the latest images (e.g. the Baron's home and Wachterhaus) were not as good as Van Richten's and other earlier pieces. I am sure many might disagree, this is all just my personal opinion, but I felt it needed saying.

Carl Green

Thanks for the honest response James, much appreciated. For the record, I will continue to support your art, as I still value it, and have a place for it at my game table.

Kathleen

To me, the tower looks like a sentinel standing guard over that bend in the icy path as it winds around the mountain. I want to know what’s around the corner ...

Adam G Pope

James, I love your work and the personal spin you put on. When iconic locations have been depicted by multiple artists, and imagined in fans heads for decades, it's going to be impossible to make everyone happy all the time. Your art is fantastic and it has revolutionized my gameplay. I personally appreciate the more generic locations as they can be used and reused for different scenarios. Not everyone solely plays in Curse of Strahd. I haven't stepped foot in Barovia for 30 years or so. So I use your very Ravenloft specific art for my very not-Ravenloft campaign. I'd think if I can do that, then other people can handle having scenes not taken directly from a specific page of the module. Keep up the amazing work!

BenderBossGM (edited)

Comment edits

2026-09-06 01:00 I love the hole in the tower, it reminds me of when the English were up against the Scotts and their trebuche's just COULD NOT take down the walls, so the king ordered the trebuche's taken down and one GIANT machine made instead called the Warwolf. Once completed, the Scott's tried to surrender, but the king wanted to see his weapon in action, they launched a single boulder shattering the wall, then they accepted surrender.
2021-03-09 18:52

Kathleen

Thanks for taking the time to pass on this bit of history 👍