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If you're a $5 patron, apologies for not posting figure drawing this past week! I came home from SPX with a dumb cold and still wasn't feeling well enough to sit up and draw for three hours Wednesday night. 

The only good thing about having a cold is that I get a lot of reading done! I've been re-reading a lot of REALLY good graphic novels lately, and Blankets was the most recent. Show of hands, who's read this masterful book? I hadn't re-read in a few years, and geez, it really holds up. I started marking all the stuff that made me gasp, and, well, marked up half of the book.

I'm a big proponent of copying other artists' work for practice. It can get you out of ruts and make you realize how far you can push a style without it feeling "too far." In this case, it made me also realize how much I love dragging a brush across toothy paper, and how much more lively the lines feel.

I've been thinking a lot lately about the style I want to draw my book in; I want it to feel so organic that the reader can tell it was drawn on paper, not digitally. The colors will almost certainly be digital - for the sake of consistency - but I'm thinking I might use one shade of grey for shadows on the original inks, and alter the color in Photoshop later. I'll see if I can do a test run soon to show you Sneak Peek patrons what I mean.

Part of the reason the style has been on my mind is that I only recently noticed that the first four chapters -  each of which introduces one main character, about 20 pages for each one - are already 80 pages. This is going to be a LONG book! I don't want to sacrifice the slow, easy pacing of the pages I've finished (some pages have 6 panels, some pages have 3, some have just one), so I won't re-write them. I'll just have to accept that when this thing is finished, it's going to be a brick. Not that I haven't had practice. 

I think by keeping the book style loose and easy to ink - by using a brush instead of meticulous smooth pens - it'll go a lot faster and look more lively with less effort. 

But, don't let my logical explanation fool you too much - I'll also have a lot more fun. ;)

By the way, I just changed the description of the $3 tier - it originally said "anything in the $1 and $5 tiers" when it should have just said "anything in the $1 tier." Nothing will change! I just wrote it wrong.

Just to clarify, the difference in the $5 tier is that I post my weekly figure studies for those patrons (plus extra drawings sometimes when I don't wanna bombard the $3 patrons with too many updates). I know not everyone is comfortable seeing those, so I wanted to keep them on a separate tier. 

That's it! End PSA.

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Comments

NJGR

Love that book and Habibi, both of which I now need to re-read!

dcorsetto

I'm reading Habibi for the first time now, after letting it sit on my bookshelf for years!

Monica Gallagher

OOOOH I love this idea of not just re-reading but copying for learnin'!

Amy Crook

Get well soon! I did enjoy the extra cat photos from the sickroom, but wasn't happy to see you weren't feeling well.

Meisterj

If you push the texture on the final drawings it Miranda's hair by skipping the smooth outline and leaving it rougher you'll convey the texture better than your drawing reference from. I've never considered redrawing panels I like, that makes me wonder how well if ape Eisner. Now I want to change my topic for Inktober, maybe I can crank out some extra pieces between the studies I was planning on drawing

dcorsetto

I'll try that, thanks! It's tough, I wanna keep as much of these designs concise (simple shapes) without sacrificing the things that will make them feel real. It's weird to be in this in-between style - between GWS, and a lot of the animation I've been looking at lately, and all the realistic artwork I've been looking at. It's weird & funny to not have a style set in stone yet. :)

dcorsetto

(And hell yeah, redrawing other people's work is the kind of thing that's so brainless you won't be able to find an excuse NOT to do a whole month's worth!)

Maura W

This is such weird timing! I actually rescued this graphic novel from the trash room of my apartment building earlier this month (it was in perfect condition and someone was trying to throw it out???). So now I'm even more excited to read it!

dcorsetto

THE HECK?!! Well I'm glad you found it!! Geez it's such a beautiful book. Enjoy!!

Ines Petersen

I am actually just reading „Blankets“ for the first time. Nice coincidence! Before that I read „The Sculptor“. Also a nice graphic novel. And I have to admit that I have already redrawn some Hazels and Sprinkles‘...

Sheri Spangenberg

Have you read the Prince and the Dressmaker graphic novel? I picked it up last year I think, it's lovely <3 Also how do you get nice thin lines with the pentel? I picked one up back when I did your illustration class, and I can get big bold lines really easily. But any time I try to do a thin line with it, it either ends up way thicker than I want, or the pressure's so light to keep it thin that it ends up all jittery and jagged. I end up using my technical pens a lot and regular paints when i want to be more expressive

dcorsetto

Ahh I still haven't read The Sculptor!

dcorsetto

I've read that graphic novel and I love the art! But the story was too... I dunno, the conflict wasn't resolved? It was too easy. Ideal and pleasant, but way unbelievable, and it took me out of the story. I wanna give it another chance, though, as the king's inexplicable 180 kind of sidetracked me from all the GOOD things going on in it. SO, this pen... I actually wasn't using a Pentel! It's some unusual brush pen that has Japanese letters on it and I don't know where it came from and I don't know where to find another one!! I looked yesterday and couldn't find any pen that seemed to match it. I'm ordering the closest thing I can find to it; I hope it's the same, because I've nearly used up this beautiful brush pen of mysterious origin!! If I find one close to it, I'll try to remember to share it with you. :)

dcorsetto

(And just for the sake of solidarity, YES, the Pentel brush is too gushy in most cases! I like sketching on rough paper with it - the paper winds up being the most important choice you make - but it's not great for controlling fine details.)

Sheri Spangenberg

I can see that! I love a good fairy tale though, so I suppose I don't mind a bit of easy ending. I just got the first mega compilation of Saga for my birthday, can't wait to get into that. I read the first two vol of that, but kept getting sidtracked. So much easier to sit down and read a bunch in one volume!

dcorsetto

Oohh wow.... yeah, I have that first big book, but have only cracked into about an eighth of it!

Sarah Manx

I love Craig Thompson's work, and Blankets most of all. I first read it in college when I just starting to expand my horizons beyond DC Vertigo. It makes me happy to hear that it holds up; now I want to re-read it!