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FREE PUBLIC DISCORD: https://discord.gg/dWJHrDGePf

*I'm deaf in my right ear which is why I'm not wearing headphones. I know, it's a bummer not to get the panning sounds. It's also been a bummer to only have one ear my whole life for lots of other reasons, like, playing telephone growing up, I was terrible at it. But, I'll be ok, and I'm getting both channels in the earbud, thanks for your concern :)

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Anonymous

Some of the reception points for Lover Ive seen was a bit mixed, one being the choice of Singles run (ME! and You Need To Calm Down particularly leading the album). 'Here's how Cruel Summer can still be a single' is a bit of a running joke now on the Popheads subreddit. Some also felt the album was a bit bloated and not as cohesive with some bizarre tracklist flow choices ('Soon You'll Get Better' leading into 'False God' mood whiplash for example). It was also Taylor still more Pop produced mode on those first 2 singles (as well as ME! was seen by some as a little cheesy coming from Taylor and YNTCD was a bit trying to too hard to get on the Pride bandwagon by some others), so when the title track first dropped as promo just before the album came out, it was well recieved by some as kinda harkening back to the more acoustically backed sound and side of perhaps something from Speak Now or Red.

Anonymous

I also saw a 'what are some 'what if?' moments in pop music' thread on Popheads subreddit the other day, and you have to remember if not for the pandemic, Folklore and Evermore may not have even happened or at least not at this time and in that moment of writing kinda thing. She would've went on tour with Lover, and maybe straight into work on the album re-recordings from there. I see theres quite a list of NPR concerts on wikipedia (its been going for about a decade). There was a Regina Spektor one just earlier in August, maybe check with Tris if youve reacted to whatever songs she did in it. I also noted that capo was a little further down the guitar frets in that song. Interesting.