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Videos

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Duration: 21:02

Language: English

Topic today:
We do a complete color grading workflow along with our Corvette 1962 shoot.

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color grading corvette shoot en.mp4

This is "color grading corvette shoot en.mp4" by Pascal André Heimlicher on Vimeo, the home for high quality videos and the people who love them.

Comments

Marcel Rutten

Hi! is there a difference in using LR/Camera Raw adjustments before importing the file into PS. Or as you do it in this video I think, applying a camera raw filter as a layer after importing this picture in PS? Because I see in the picture title, this is a 8bit jpg. Thanks for the video,

pascalheimlicher

Thank you for your question. I always do the color grading as the very last step in my workflow within the editing process. The reason why I play around with Klevin while shooting is that I want to get a feel for the image. Similar to when I know that an image will later be black and white. Of course, 16-bit is always better than 8-bit. But I think it's sometimes a bit overrated for images that end up on social media. I make a difference whether I'm doing a high-end production for a gallery or for a magazine, or whether I'm just editing an image for instagram. But of course, my recommendation here is also: 16-bit if possible.