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Michael Paulson in today's New York Times:

“Dear Evan Hansen,” a heart-tugging musical about an awkward adolescent who tells a terrible lie, will end its run on Broadway on Sept. 18, five years after winning the Tony Award for best new musical.

The show opened to enormous acclaim and has been a significant hit, but it suffered a double blow from the coronavirus pandemic and a poorly received film adaptation, and has in recent months been soft at the box office.

What media property should we attempt to defeat next? Sound off in the comments.

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Comments

Nate Netzley

Destroy the career of Sam Levinson or another nepotism baby

Quarterbells

Okay I mostly love your Odyssey eps, like literally my favorite of all podcasts in my feed when they come through—but there’s this truly incredible movie called The Buttercream Gang from I think the early 90s produced by a Morman direct to VHS production shingle Feature Films for Families. Honestly any of the big FFF hits (Jacob Have I Loved, something called “No More Baths” that i’ve never actually seen) would probably be a spectacular time.

Breathplay

Famed New York Podcasters SLAM 2005 video game SHADOW THE HEDGEHOG: “a bizarre conflux of the newly minted E10+ rating, baroque IP necromancy, and ‘War’ ‘On’ ‘Terror’ malaise”

All My Maidens

The mouse is the only truly worthy crusade

Jimmy McMillan

Hey don't sell yourselves short. Your guy's critique of the film and play was easily as significant as the plague or crappy movie, making that double blow into a triple

laura

This just unearthed a deeply buried childhood memory. The Buttercream Gang, my god.

Bruce

You guys have mentioned it a few times already but I'd appreciate an episode breaking down Every Young Man's Battle. when I heard that title again it was like lightning struck my brain