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Colby Day (@thecolbyday) is thrown into The Room of Consequences as he and the lads return to Odyssey for Adventures in Sodom, Gomorrah, and the most sinful place of all: the theater. Topics include the big swings of Phil Lollar, the camp perfection of Edwin Blackgaard, and the paramount importance of keeping art weird.

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Colby Day is a writer/director for theater/film. He wrote the upcoming Netflix film SPACEMAN, directed by Johan Renck (CHERNOBYL), starring Adam Sandler. His script IN THE BLINK OF AN EYE is set to be directed by Andrew Stanton (WALL-E). His short film Lead/Follow is now streaming.

Twitter // Instagram // Website

Watch Lead/Follow here!

Media Referenced in this Episode:

Adventures in Odyssey #210: On Solid Ground

Adventures in Odyssey #236: Into Temptation

Adventures in Odyssey #248: Terror from the Skies

Adventures in Odyssey #218: A Class Act

TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com (edited)

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Comments

By Tove!

I'm getting such a nostalgia high listening to clips of On Solid Ground. I forget just how deep these episodes are buried in my brain. I already anticipate hearing the Sodomites yelling "Open up the door, Lot" in that deeply disturbed voice

LarcenyOctober

oh god i definitely heard into temptation when i used to listen as a kid. i remember it feeling like the highest stakes story ever to me lmao

Quarterbells

woooooo hooooo! going back to this deranged town

Jimmy McMillan

That room of consequences episode was hilariously week sauce. I remember an episode in the R of C were a kids parents decided to start parenting him like libs and let him do whatever he wanted. The kid turned into a deranged sociopath in a couple of weeks and I think people died in the end

Jimmy McMillan

Gomorrahmy is when two theaters make their ends meet

Breathplay

In retrospect I am glad the only RoC episode I heard as a child was the one where a kid gets to hear what other people "really" think and discovers that no one ever means it when they complement her. That fucked me up plenty, I can only imagine how wrecked I would've been by the pure uncut Calvinist Total Depravity bullshit of Whit telling Jimmy "you need me to do right but you'll do wrong by nature"

Breathplay

The combo of checked-out Josh and chiptune Herb Alpert for the ad break fakeout was 🤌🤌🤌

All My Maidens

I’m fascinated by this guy whose middle eastern accent is just rolling his r’s

Rosey Armstrong

I think the kill bill Bible story is the story of Jail

Alex

Whit in the room of consequences sounds like AM from I Have No Mouth and I Must Scream

Eliza Lutts

You know it's a good TWOAPW episode when the ad makes you go "ah! man-made horrors beyond my comprehension :)"

Eliza Lutts

this applies to both the RoC bit and the Raccoon bit

Virginia Paine

I think the cauliflower line might be ripped directly from Blackadder?

Elizabeth Power

Odyssey has some ridiculous things on it sometimes that makes my skin crawl, but I seriously love Edwin Blackguard

Thom Coté

Just subbed and have been listening thru the premium Odyssey eps, really enjoyed this one! Got big Spongebob "Band Geeks" energy from A Class Act

LogalogJack

Kinda fucked-up that Whit would program Laurence to scare Jimmy in the treehouse—the treehouse where Jimmy famously fell out and *nearly died*.

LogalogJack

I don’t remember leaving this comment but I stand by it

J

Edwin Blackguard is like the one normal person in Odyssey.

Lenny

Listening to the recap of A Class Act and I'm once again getting frustrated with AiO because it's Almost a good kids show and so often totally fumbles the ball at the end

Nicole Pitts

I’m have a really bad time atm. I think a lot of us are. Jerry’s time bit hit me so much hard then it maybe should have. But then cuts back to Josh saying I’m so full. And I laugh. It isn’t much, but it’s enough. Thanks guys.

Mister Joshua

"Colorful, loud, sinful, wicked. A festering pothole of riotous living" is what I want on my headstone.

Mister Joshua

I hadn't thought about that in 30 years, thank you!

Mister Joshua

Ahaha Slings and Arrows mentioned! Here I was worried nobody outside of Canada had seen it. My favorite apocryphal story about the show was all the problems they had during production: The Tivoli theatre and the Ed Mirvish theatre in Ontario where they did their shooting were evidently booked wall to wall for productions so often they really had to squeeze in a shooting schedule between sold-out festivals and plays. Obviously that aint the case for all theatres, but it was nice to hear that the opposite problem of dwindling theatre attendance was the issue for the show behind the scenes.

Jason Glickman

I’d give real money to hear AJ dig up a clip of Earl Boen singing about how his perfect composition isn’t going to get much exhibition.

Kayla Anderson

I love how much Imogen Heap lore there is now in the interstitials. It’s only happened twice, but that was two more times than I anticipated.