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Let’s talk watercolour paper. I always recommend Arches watercolour paper – (at least 300gsm in weight.)

When I first started painting in watercolour I did some research on the internet to find out what was the best watercolour paper to use. I kept reading that Arches was one of the best so I ordered a few A5 size 300gsm Arches watercolour paper pads online and that’s what I started using.

When I became more confident and my paintings started to improve I bought some watercolour pads in the next size larger – A4. From there I progressed to A3 size watercolour pads, then A2 before I finally started painting on full sheets of paper.

When cleaning out my cupboards one day I found some watercolour paper that I had bought years earlier, long before I started painting in watercolour. It was a cheaper brand but I can’t remember now what brand it was. I painted a Regent Parrot on it.

After using Arches for a few years I was amazed at how difficult it was to paint on. I could not get my edges the way I wanted them nor could I lift any paint off. I couldn’t lay my washes down properly either. It was terrible. I struggled the whole way through the painting. I vowed and declared that day that I would never use any paper other than Arches.

I use Arches paper because it is tough. It takes a beating from me. I can use a bristle brush to gently remove a small area of paint without damaging the surface of the paper. I find it has a slow absorption rate. The water sits on the paper for some time which allows me plenty of working time and it makes applying washes much more controllable.

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When buying watercolour paper look for the following qualities:

·  100% cotton

·  acid free

·  hand-made or mould made

·  sized

Sizing is probably the most critical factor when buying good quality watercolour paper.

The amount of sizing determines how the paper will resist water penetration and abrasion. It affects the way washes will sit on the paper and it also effects the degree of luminosity when it has dried. Arches have worked out exactly how much sizing is needed to give its paper optimum working characteristics.

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Paper Textures

Hot press paper is smooth. 

Cold press paper has some texture. 

I recommend painting on cold press paper when you first start painting. I did a comparison video of cold press and hot press paper here: https://youtu.be/m5Oph3CFp70

Rough paper has the most texture. It is often the paper of choice for landscape painters because of its texture.

Here is a blog post I wrote about watercolour paper for further reading: https://www.louisedemasi.com/tips/2023/4/22/what-is-the-best-watercolour-paper-to-use

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Although I haven’t tried them all I have read that other good quality paper brands are:

·  Fabriano (I’ve tried this a few times - but I still prefer Arches)

·  Strathmore

·  Bockingford

Let me know in the comments below what paper you find the best to work on.

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Comments

Bev Witts

Hi Louise I have recently joined and I have been practicing on paper from the 2 Dollar shop …It is still cold pressed and 300gsm but I have struggled and struggled to get any sort of painting to get soft edges . I have purchased Arches watercolor cold pressed 300 gsm so it will be interesting to see the difference. Thank you for this valued tip!

Louise De Masi

Hi Bev, I have no doubt you will see how different it is to paint on good quality paper. Have fun with it! ❤️

Terri H.

I love Arches too Louise for all the reasons you’ve mentioned. I’ve only found one other paper worth mentioning and that is Canson Heritage. I’ve had good results on it as well!

Margret Martin

I also love arches. Have primarily used cold press and occasionally rough. The sun conure class calls for hot press - will be my first try with that paper.

Bette McDowell

Have tried Arches cold press and like it but haven't tried their hot press. I recently got a pad of Canson L'Aquarelle on clearance for $5, so I'm using that and it's working for me so far.

Eve Eichner

Yes, I have been using cheaper brands and really struggled to get things right. Light bulb moment.....ITS THE PAPER! I have Arches and Strathmore I will be using from now on.

Susanne Norling

I use Arches, Fabriano, Saunders Waterford and Canson heritage. I prefer hot pressed paper, love the smooth feeling, little bit harder to paint on but great for details.

Rita Navroth

I use Arches! Cold press, I have Hot press too but have not used it you, but planning on it.

Louise De Masi

Hi Rita, Welcome! When you use your hot press I'm interested to know what you think of it. I like using both but I find the hot press is better for making prints of my work.

Nicoline Mann

I like Arches, but don’t like that the paper is a cream colour. I bought blocks so I wouldn’t have to stretch the paper, but the paper pulled of the block. Still the paper is incredible to work on, I haven’t tried their hot press yet though. I recently did your herb class from Skillshare on Strathmore 500 series hot press. I was surprised at how nice it is to work on and it’s bright white so doesn’t look dirty with a white mat, plus it’s super affordable! I’ve been buying a lot of different brands when they’re on sale and will be trying them out; so far I have Hahnemuhle, Canson Moulin du Roy, Saunders Waterford, Stonehenge Aqua, Fabriano Artistico, Bee (great affordable paper for studies), Strathmore (500 series seems to be the only decent one in their series) and several others. Lots to play with! Stonehenge was difficult to work on with similar experiences as yours above, though your birds still turned out fabulous!

Louise De Masi

Thanks Nicoline for all these suggestions. Let me know how you go with them all and which papers you prefer. Arches make a natural white and a bright white. You might have painted on the natural white. I have the same problem with watercolour blocks. As soon as I start to put some water on them the paper starts to pucker. I have a few blocks and I take the paper off the block and stretch it before I use it now. I'm interested to hear about all those different papers. Thank you!

Nicoline Mann

Wow, I didn’t realize they made two kinds! That changes everything. I’ll have to see if I can get my hands on the bright white! I look forward to trying out the other papers. I’m wondering also, how you decide which paper (cold press or hot) and what weight (140# or 300# or more) is best based on the project you choose?

Louise De Masi

I use 300gsm in weight (140lb) and over. It's funny with me- there's never any rhyme or reason to whether I choose hot or cold pressed. I like painting on both equally. I tend to reach for hot pressed more because it seems to scan better than cold pressed. I think the prints that I make from a hot pressed painting are slightly better than the prints that I make from cold pressed. I can also get more detail on hot pressed. Also, if a painting ever goes pear shaped I can sometimes rescue it with watercolour pencils and coloured pencils and these are easier to use on hot pressed paper. All of that being said, I think cold pressed is a little easier to use - it seems to be more forgiving. I hope my answer isn't too confusing.

Karen morovich

Louise. What type of scanner do you use and how do you eliminate the shadows when scanning? Do you have to put something heavy on top of the picture to flatten it on the scanner?

Louise De Masi

I use a Mustek A3 flat bed scanner Karen. I don't have to flatten the paper because it's already flat. I always stretch watercolor paper if I'm not using the really thick paper. You can put books on top to flatten an image if you need to. If my background is white I always erase the background in Photoshop before I do any prints. Otherwise my printer picks up the colour of the paper and prints a sort of grey tint on the background.

Karen morovich

Louise. Thank you for sharing this information. It is helpful.

Palmira Farkash

I somehow missed this post! I like the way Arches CP handles as well, but I really don't like how rough the texture is on the top side of blocks and pads (sheets are super expensive to ship!). It's too rough for my liking. So I mainly work on the other side which is smoother and also allows for better detail. I also have an issue with the fact that with many dark colors (greens, moody violets, and deep browns mainly) there is white speckling showing in first layers - the main reason I moved on from colored pencils to Watercolors to begin with was that I didn't like that white speckling and wanted a smooth application. So I embarked on a massive paper search. After loads of experimenting, what I found I absolutely loved working on was Canson's Moulin du Roy 100% cotton cold press watercolor paper (didn't care for the hot press as much), 300gsm. I'm searching for the 640gsm cold press, but can't seem to find it (Jackson's has only the HP and Rough in 640gsm for some unknown reason). If you stretch your papers any way, 300gsm will be wonderful I think. I also very much enjoy the Hahnemuhle Cezanne 140gsm 100% cotton Cold press watercolor paper. It's absulotely lovely to work on. The have the 640gsm version as well which is called Hahnehmule Leonardo, but its harder for me to find an online store to ship it to my country (Jackson's doesn't offer it, but they do have the Cezanne and Moulin du Roy), so I haven't had the pleasure to test it out. For hot press papers, so far I really enjoyed the Winsor & Newton new 100% cotton watercolor paper (the CP less so). I've recently bought the 640gsm in HP and CP, but haven't tried them yet, so I'm curious to see how I'll like them. I'm now also testing the newer Stonehenge Aqua 300 and 640 gsm in CP, but I haven't really worked with them to have an informed opinion. First impression was they were OK. Didn't have noticeable issues with them, but wasn't ecstatic about them either. I thing I remember the first layers on the 640 were amazing, but the more I added the less I liked it. But again, just what I remember from trying them a while ago - It really needs a more thorough chance :) Hope you found some useful information in here. Experimenting with new papers in very daunting and expensive(!!) let me tell ya!

Louise De Masi

Thank you for all this information Palmira. You've compared a lot of different papers so it's really good to find out which papers you prefer. I know watercolour paper is very expensive and it's so important to find one that works for your style of painting. I'd like to try the Canson paper you mentioned. I use Hahnemuhle fine art paper for my prints and I know how beautiful the paper is for that so I'd like to try that too. Thank you!

Yolonde

Can you use the Hahnemule paper that you do your prints on to do original water colours on too?

Yolonde

Louise you mentioned that you graduated from painting on small blocks to sheets of watercolour paper. How do you scan those big sheets on your scanner?

Louise De Masi

I can't scan the full sheets. The scanner is A3 size but I can scan slightly larger sheets by doing two or 3 scans and merging them together in Photoshop.

Kelle Luoma

Also, has anyone tried using illustration board for watercolor painting? I've found it in hot press and cold press. "The Letramax 2200 Cold Press Illustration Board features a medium tooth surface that complements a wide range of wet and dry media: gouache, tempera, watercolor, pencils, markers, charcoal and pastels. The rag contest provides even absorption of wet media for better control. The super white surface enhances color fidelity and intensity." Nelson Bainbridge Letramax 2200 Illustration Board, Cold Press 15" x 20" : List Price: $4.32, Our Price: $2.92. Save when you buy more, up to 20%! https://www.artsupplywarehouse.com/prodDetail.php?id=2005

Louise De Masi

I've just ordered some crescent boards. I'm looking forward to trying them out. Thanks for the links Kelle.

Louise De Masi

I've used the illustration board for painting with acrylics but not watercolour. It has some limitations. I don't think it will allow lots of washes the way watercolour paper does. But, with practice, you can use its limitations to your advantage. I know Nita Engle liked to use illustration board as well as watercolour paper.

Sue Hamman

Hi, I have a quick question. Has anyone used the Arches 300lb CP bright white watercolor paper? I'm wondering if its significantly whiter than the natural white and how one chooses. Does anyone have any thoughts on the different whites that Arches offers? Thanks!😊

Louise De Masi

Hi Sue, I don't think I have used it so I can't answer you I'm sorry. If you are a member of the Facebook group you will have more chance of getting an answer there. I'm not sure many will see your question here.

Sue Hamman

Thanks so much Louise! Yes, I am a member of the Facebook group so I will try to ask over there!