Home Creators Posts Import Register Favorites Logout

Content

Hi everyone,

I'm pleased to introduce the first instalment of an upcoming series of journal exercise videos dedicated to delving deeper into the fundamental techniques of watercolour painting. In this lesson we'll be focusing on the art of softening edges.

Mastering the skill of manually softening edges with your brush is really important to learn. This technique empowers you to take command of colour and value transitions, enhancing the subtlety and nuance of your artwork.

Rather than merely practicing on separate sheets of watercolour paper (like we have in the past), I propose a different approach to aid your progress—a personalised 'technique resource' journal.

Creating and maintaining a watercolour journal is especially beneficial for beginners. It serves as a dedicated space for skill development, allowing you to practice and experiment with various watercolour techniques in an organised and controlled manner.

Over time, this journal becomes a visual timeline of your growth and evolution as an artist.

I'm pleased to share that there are more tutorials like this one in the planning phase. Topics will include blending paint, honing brush control, conquering tide lines, and more. If there's a specific technique you're eager to explore, please don't hesitate to let me know. Your feedback and preferences will shape the content of our upcoming tutorials.

Other technique tutorials:

Wet on Wet Technique: https://www.patreon.com/posts/81765951

Wet on Dry Technique: https://www.patreon.com/posts/83011899

Dry Brush Technique: https://www.patreon.com/posts/84431782

Glazing Technique: https://www.patreon.com/posts/86550285

Louise

💕

_____________________

Tutorial Index Links to bookmark:

Website index with linked images: https://www.louisedemasi.com/patreon-index

Clickable Word index: https://www.patreon.com/posts/34865676

__________________________________

Files

Journal Exercises 1 - Manually softening paint edges

Louise De Masi©

Comments

Elaine

Thank you Louise, this is a great idea 😊💕

Kelly Hoche

I love this idea! However, over the past 2 years, I've used 3 different brand journals, one I can't remember (my least favorite, lol), Canson, and Etchr. They're ok, but I don't love any of them. Do you have any watercolor journal recommendations, Louise? Maybe I should add my favorite paper is Arches 140# or 300# cold press.

Louise De Masi

Thank you Kelly ❤️. I mention in the video- my favourite journal - Winsor & Newton.

Margaret

This is JUST what I need Louise! As a newbie, the focus on techniques will keep me focused and stop me wanting to rush ahead into painting things beyond my very limited skill base. Thank you! 💕

Kelly Hoche

So sorry! I should’ve watched the video first 🙈. Thank you, Louise!

Yvonne Walton

Thank you Louise these tips are really useful.

Linda

🥰🎨

Sue

This series will be wonderful!! Just what I was hoping for! Thank you! I just received a strathmore watercolor journal yesterday and I do hope it works well for me.

Pamela Bozzi

Looks like a great idea. However, I've been searching online for over 30 minutes and cannot find W&N 300 gsm all cotton journals / sketchbooks. Any help here Louise?

Anne Watman

This is exactly what I mean when I say you are such a great teacher!

Anne Watman

I can’t find anything either. I thought about creating my own, and there are videos for that. But I wonder if using a regular ring binder and punching holes in some good quality paper would be a solution.

Janet

Thanks Louise. To me this has always been the hardest thing to do in watercolor. After years I STILL struggle with it and celebrate when I get it right. Re: journals. I have tried so many and I'm never happy with them. Perhaps my favorite is called Kilimanjaro made by Cheap Joe's in the US. 100% cotton, 140lbs. To all looking for a journal this is the best one I've found so far. Will check out the W&N one if I can find it.

Terri Robertson

I tried searching in the UK and cant find it here either. I checked the W&N website and there is no reference to it not even on the .com site. I did find a listing on ebay Australia if that's any good to anyone?

Terri Robertson

Thank you Louise, it's always good to see this technique up close, it's a tricky one to get right and it's very touchy-feely and differs according to paint, paper and humidity - as you say, you just have to keep doing it over and over until it becomes second nature.

Pamela Bozzi

I guess I will go with the Kilimanjaro all cotton 300 g spiral bound from Cheap Joe's. I have one of these large-ish ones on hand, unused.

Pamela Bozzi

I saw that but will use the larger one, Kilimanjaro, from Cheap Joe's

Pamela Bozzi

I have one of these. nice paper but smoother on the back.

Louise De Masi

I've looked too Pamela. I can't find anything on Amazon. I'm not sure why it's so difficult to buy elsewhere. When I do a google search all of the Australian stores come up on the first page for me. For example: https://artsuppliesaustralia.com.au/products/winsor-newton-watercolour-visual-journals-300gsm and. https://www.mightyape.com.au/product/winsor-newton-hardbound-watercolour-journal-a4-300gsm/28367822 and. https://shorestudio.com.au/shop/winsor-newton-watercolour-journals/

Anne Watman

Good to know, that didn’t come up in my search for 100% cotton journals.

Anne Watman

I looked at them, and the larger ones seem to be out of stock. There are 10 pages, and I’m guessing the “sketch” pages in between are counted separately.

Kara Cox

I second this! Kilimanjaro also has what they call paint books, which have sketch paper between the watercolor paper. I find this is very useful for notes and practice sketches if you don't like writing notes on your painting. They even have 640gsm sketchbook options if you're feeling fancy.

Terri Robertson

I contacted W&N and they dont sell the Visual Journals in the UK, they only have the 25% cotton pads. No problem. Saunders Waterford 100% cotton fat pads work well, and I like the spiral binding because I only have a small space to work on.

Jodie Ginn

In layering, what if the first color washes off when you try to soften the edge?

Louise De Masi

Wait until it is completely dry Jodie. When I'm impatient I let it almost dry on its own and then I use my hair dryer on it to make sure it's completely dry. Use a soft brush and a gentle touch when you re-wet painted areas as well. If it's lifting, it is probably because it's not completely dry. It could also be your paper.

Ariane

Thank you Louise for your excellent explanations in these technique videos. I noticed you have the same ceramic round watercolour palette as I have (and 💕). Do you mind sharing how you’ve set up your colours/which colours are in your palette.

Ariane

Oh thank you so much for your quick reply! I must have missed that post. Thank you!

Hilary White: Sacred Art

Oh, softening edges with another brush is a very central technique in Japanese watercolour painting. I've watched loads of videos but haven't tried it yet, so this comes at just the right moment.

Julie

I am having no luck finding the 140lb W&N journal. Has anyone managed to get one? Tried Blick, Jerry's Artarama and Amazon. TIA United States

Pamela Bozzi

I have been working on this with mixed results. First in an A4 Hahnemuhle which, on the smooth side, is pretty horrible to work on... kind of like an ink blotter. I then switched to an Arches cold press 6 x 10 in journal. Better but not great in my opinion, Not sure why.

Karen Russell

After seven years of practicing with mixed results, THIS explanation is perfect! What a game changer - thank you for the clear and concise demonstration Louise

annie chin

Thank you so much after 3 years with you, I have gone back to basics with you, excellent videos, the best ever. love your style. annie chin

Kelly Hoche

After searching and searching for your favorite Winsor & Newton journal everywhere, I finally decided to buy one from The Mighty Ape au website. The cost to ship to the United States was a bit expensive. Rather than buying another one later, I bought two. In the long run it saves money on the shipping. It was comical because my brother and his family were here in the US from New Zealand for two weeks and I was buying stuff from Amazon last week for them to take back to NZ. Meanwhile the journals I bought from an Australian website last week were being shipped here from NZ. 😆😂

Louise De Masi

Thank you Annie! I'll be posting more like this as soon as I can.

Sidney Bales

I also found that when I am not working on 100% cotton, the paint will wash off when you try to soften the edge.

Leo Parias

Hi Julie, I also tried to find it but no luck either on those sites you mentioned. However I did find them on ebay, 5 different listings, but they actually ship from Australia so with the shipping cost I didn't think it was worth it. I guess they are only made from the Australian market?

sarah

Hi Louise, I wish to repeat myself: you are the "bestest" teacher in water colour! You asked for more requests on techniques. Could you demonstrate the lifting technique- when paint is wet or dry, and when using lifting medium and when not. Also how do I rescue a piece that I messed up outside of the drawing - like a drop or splash of paint?

Louise De Masi

Aaaw thank you Sarah and thank you for the suggestion. That's a good idea and I'll get onto that for a quick tutorial in the new year. 💕

Anne

I love these so incredibly helpful!!! Thank you!

Sheryl Hill

Thanks for showing how to do this and starting a journel like this.

Anne Watman

I can’t find them either.

Katt

This is a wonderful tutorial!! There is such a wealth of watercolor experience and knowledge!! Thank you, Louise for your generous and gracious spirit. For the last three years I have been searching for “‘my” style (I tried what seems like it all). I always came back to watercolors but there are so many styles still….. primitive to abstract; to impressionistic to line and wash. I love a disruptive realism style…. I found myself drawn to your neat, purposeful strokes yet subtle disruptive colors and ethereal marks. I am so grateful to you for sharing. This tutorial and #2 is a must for anyone wanting to achieve their watercolor goals. About 1/2 way into #1 it occurred to me to also duplicate this exercise with my favorite Kuretake watercolors since they act a little differently than other watercolors. (Duh, I know!) I couldn’t stop exploring and trying different things. I now know what to expect and how to get the most from these paints. To those just starting out…. Start by making marks…. Play…. Use the paints you’re most likely going to use; use the “good” paper!! Don’t worry about drawing/painting anything…. Just make marks!! Get to know your tools… and when you buy new paints…, start all over. It will save you frustration and ignite your imagination and creativity!! Thanks again, Louise!! You are a rockstar!! (Which dates me but I don’t care…. Learning something new every day!).

Louise De Masi

That’s such a thoughtful and inspiring message Katt! It’s wonderful to hear how much you’re enjoying the tutorial and embracing the process of exploration. Trying different paints and getting to know their quirks is such a great way to grow as a painter. Your advice to beginners is spot on - playing and experimenting without pressure is key! Thank you for your kind words.💕

gigi wallin

I struggle with this technique so much. No matter how much I dry my brush I get a sort of tide line... this is when I feel one must actually have a gift for painting. Maybe after a few years I will accomplish this goal fingers crossed. But thank you for the basics tutorials very few instructors online go over these.

Louise De Masi

Thanks Gigi. It just takes practice. You'll get it eventually and it will become second nature.