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I found this in a file of old unpublished (and generally unfinished) reviews, essays and notes intended for my old Live Journal site. This little chunk of cartoonist OCD is a wish list of comics-related reprints I wanted to see get published. I described these as mostly "pipe dreams", never dreaming there would someday be a reprint boom that would see a lot of these published. 

Another indication of how old this list is -- there are several entries that I'm no longer all that enthusiastic about in (although I wouldn't throw a free copy out of my house). Having read more old comic strips in the years since typing this, I don't really need a complete series of Bringing Up Father (lovely to look at, repetitive as comics) or Alley Oop (I do have the DHC Sundays editions, which, come to think of it, I did get for free). One well-edited Smokey Stover volume is all the world likely needs, if even that (Smokey Stover was the worst-selling statue in Dark Horse's old comic strip line, by quite a number. Foo!). And while I respect Pogo and Walt Kelly's art, I can't say I'm really a fan after reading more of it. I had more than one conversations with Tom Spurgeon where he asked me what my opinion was on Pogo -- and we both made a face that sort of said that we didn't enjoy saying we didn't like it that much. Or at all, in Tom's case. He kept making the face while I hemmed and hawed about Kelly's art. It's hard to bash an influential cartoonist of stature that you don't hate as a person (or in fact, rather admire, politically or whatever). He drew beautifully...but the jokes just don't really land, and the contrived dialect dialog can just drag things out to the point where I lose interest. It hasn't dated all that well. But I'd still love to have all of Kelly's Animal Comics work, and even some of that has been published in anthologies. 

Anyway, here's the list. I don't make fanboy wish lists anymore. I wonder why. I still want a lot of old stuff. I still want some of this old stuff. 

I added some notes and comments to the list, in italics. 

COMIC COLLECTIONS I’D LIKE TO SEE IN PRINT.   
Yes, I know many of these listings are pipe dreams.
 

1) Early Moon Mullins 

2) EC’s Moon Girl   

3) More volumes of Tezuka’s Blackjack * (dream come true, via Vertical, at the time there were only two Viz volumes and a Kodansha bilingual language instruction series)

4) Tezuka’s Princess Knight * ( another dream come true from Vertical)

5) Nice editions of the Phantom  * (didn't like the Hermes editions, and the early strips were...not so good) 

6) Planet Comics material * (complete from PS Art Books)

7) Dick Briefer’s Frankenstein comics *  (complete from PS Art Books) 

8) Walt Kelly’s Animal Comics work 

9) Jingle Jangle Comics *

10) Harvey’s Black Cat Comics by Lee Elias 

11) Uncollected/translated Yves Chaland material *

12) Moomins * (D&Q)

13) Nice editions of Johnny Hazard  * (didn't actually like the Hermes editions)

14) a re-do of Thimble Theater/Popeye. Complete, to boot. * ( FBI and Sunday Press)

15) A nice, complete (to a point) Little Orphan Annie * (IDW/LAC)

16) Complete Barnaby * (FBI, still unfinished, apparently a disappointing seller)

17) A collection of Crockett Johnson’s strips and magazine work 

18) Crockett Johnson’s Barkis 

19) Complete Little King by O. Soglow * (IDW volume of curated/available strips)

20) Some Smokey Stover volumes 

21) Re-worked Complete Pogo * (FBI)

22) Some volumes of White Boy, if not a complete run * (Sunday Press)

23) More Otto Messmer Felix the Cat    

24) Complete Virgil Partch comics 

25) Jack Cole’s Midnight 

26) The Black Terror 

27) Non-EC 50’s horror/crime comics (FBI published anthology collections, PS Art Books went in hard on this with Harvey, ACG and Fawcett, et al)

28) Best of Nickelodeon Magazine comics/panels 

29) Marvel Family Archives (DC ran weak early work in their Archives, canceled a Monster Society of Evil volume, and basically shrugs at anyone who brings this up)

30) a collection of Kurtzman/Help/Trump/Humbug etc * (unfortunately, Humbug and Trump are more interestingand great-looking than good reading)

31) The Art of Johnny Craig 

32) The Art of Brian Bolland (I think someone did this, maybe PS. And I still admire Bolland's work, but don't feel a need to own a book of it anymore)

33) A collection of old Marvel/Timely girl character comics (Sun Girl, Namorita, etc) 

34) The Complete Bat-Mite (Sort of a * -- I listed this as a bit of a joke, but a lot of the old stuff has been collected, of all things unexpected)

35) A new Hernandez Bros sketch/art book * (Jaime got one, Gilbert needs one)

36) A collection of cartoonist’s childhood comics and drawings

37) Some volumes of The Bungle Family  * (one curated volume, IDW/LAC)

38) A Not Brand Ecch trade 

39) Alley Oop (I missed out the first time) *

40) Any un-translated Junji Ito material * (who knew how big Ito would blow up beyond the Direct Market)

41) The rest of Yann and Berthet’s Pin-Up (only translated up to vol 3) 

42) Complete George McManus Bringing Up Father/Maggie and Jiggs 

43) Milt Gross’ Count Screwloose   

44) Milt Gross’ Nize Baby (hell, all Milt Gross' comics work) 

45) Dave Breger’s Private Breger/Mr. Breger 

46) More Feiffer collections 

47) Nice editions of the early Dick Tracy  * (IDW/LAC, their first classic strip reprint)

48) New, affordable editions of Wash Tubbs & Captain Easy *(FBI did the Easy Sundays)

49) Complete Beyond Mars by Jack Williamson and Lee Elias * (IDW and some special edition from SF/Horror/Pulp publisher Haffner Press)

Comments

Ray Cornwall

I believe Marvel did Masterworks of Not Brand Ecch and the Golden Age stuff. IDW has put out a fair amount of McManus stuff. Feiffer's Tantrum is amazing, and it's a shame more people haven't read it.

Bob Ulrich

I honestly cant figure out why more Messmer Felix strips havent been collected. The ones i have are so great.

Erik C. Jones

One of my customers has a pretty amazing collection of old strips, whether it's early collections from the 40's, original art, or full bound Sundays. Interesting stuff. And I agree about the Ito stuff. I remember when all you could find was Uzumaki and Tomie, and now there's a wealth of stuff coming out!

Evan Dorkin

I would love to sift through a collection like that. Have a few months in a cabin to just read and look. And drink soda pop. We only have two originals, a nice Flyin' Jenny strip and a Capt Stubbs and Tippy we got because it was super cheap and cute. I'm still kicking myself for not buying a Cul de Sac strip when I had the chance and sort of had the money. Re: Ito, we've had like three versions of Tomie (Comics 1, iirc, was first?) and two of Uzumaki to trade up. I'm holding onto the 3rd DHC Museum of Terror because there's non-Tomie stuff i ntat one. I'm one or two books behind now but it's great to have a steady flow of his stuff now that he's broken through for sure here. Took long enough!

Russell Grant

Humbug/Trump still bugs me to think about. So excited to get them in my hands, but boy, a slog to read. 27) Non-EC 50’s horror/crime comics (FBI published anthology collections, PS Art Books went in hard on this with Harvey, ACG and Fawcett, et al) Is Fantagraphics hitting the pre New Trend stuff in those collections? I've been getting the Dark Horse hardcovers as I prefer to read them as the original magazines as opposed by artist. I think the only pre-trend book out in that line so far is Modern Romance and maybe moon-girl? Or they're the same?

Evan Dorkin

Yeah, it might be an unpopular opinion but for me Kurtzman was better when he wasn't trying to impress everyone. Humbug, Trump and Help had better reps when the material was largely out of reach, besides the Goodman Beaver material. He excelled with Elder, and just making goofy jokes and comics. When he decided to be serious about humor, he got stiff and unfunny. For me it's a lot like Will Eisner's Spirit vs his "serious" graphic novels .The Spirit's unpretentious pulp swagger and inventive storytelling achieves what it sets out to do better than his stabs at literature, imho. I used to collect everything Eisner but one day realized I was never going to reread the shmaltzy graphic novels again. I can't even get through Humbug. It's a swell object with some great art, standing coffee table books. Re: EC stuff, I'm not sure what FBI's series is covering, I have only seen copies when I was crashing at Tom Spurgeon's house and I thought they were great-looking, and I'm a sucker for back-matter essays like in the Donald Duck Barks editions. I like the artist-specific approach but I have all the EC material in the Russ Cochran libraries, so I haven't double-dipped. I would like color editions, only Mad is color. I'm so used to the comics in b&w I forget they were colored, the old Marie Severin colors are what I'd want if I had the money to go for it. I'd love to have the FBI editions as well. I also have two of the IDW oversized EC collections, which are amazing, MAD and Jack Davis. Modern Love and A Moon, A Girl and Romance were collected in the library editions, dunno where else. As far as I know the actual Moon Girl comic is still a niche outlier no one's licensed and published. It's probably out there on the web from scans of the originals.

Russell Grant

I can't help but think that Kurtzman needed an editor. I know he edited his own books for EC, but I bet Gaines and Feldman still had some input, he couldn't have been working in a vacuum. I missed out on the Cochran libraries so it was always going to be the next run for me so these colour Dark Horse reprints are the ones. I would have preffered original colour an a paper that suits it, but I don't really mind the digital re-colouring. They seem pretty close to the era instead of being brown and earthy like most re-colouring jobs that try to modernize. Only real modern thing to it I recall is some colour fade/shadow stuff which doesn't break it for me. If I was an artist, I'd be all over the b&w for the clear line work, but I'm only looking to be entertained. Love the Barks books Fantagraphics put out. Started blind buying them after hearing so much about his work. Got a bunch, was going to go for a complete set but I think I've good with what I have. Same with those Gottfredson Micky Mouse collections. Got the first 3 slipcases, and I'm good. Pogo lasted I think the first slipcase 2-pack for me. Hitting middle age I realized I'm not a library haha, so I'm trying to curb the OCD collecting tendencies of my youth.

Evan Dorkin

Yeah, I'm with you, there. But I can only assume it's just too niche, and the FBI collection was a long time ago. If anyone felt there was an audience I'd assume they'd have taken a shot at it during the strip reprint boom. Who knows. Felix is always around at the fringes of pop culture, like a junior version of Betty Boop, more attractive as a t-shirt design than anything else. IDW had a collection of the comic book stories, badly designed and presented by Craig Yoe, as usual. Since Yoe crammed books down the DM's throat if they did decently (like the ugly pre-code horror stuff he crapped out), you can only assume Felix is a sales disappointment in these modern times. It also seems whimsical or "cute" strips didn't fare very well, King Aroo comes to mind. I'd love to see more, but I'm in the minority.

Bob Ulrich

Ugh Yoe books. Phooey.