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Among other accomplishments, Thomas Vinterberg’s new ANOTHER ROUND has unseated Alexander Payne’s SIDEWAYS as the ne plus ultra of funny films about sad men drinking their way through midlife crises. In celebration of that feat, this week we’re looking back at what made SIDEWAYS so intoxicating back in 2004, discussing the film’s many small moments that carry a wealth of character, what to make of the connection between Miles (Paul Giamatti) and Maya (Virginia Madsen), and whether we feel comfortable characterizing oenophile Miles as a snob. Plus, we respond to some feedback taking us to task for our comparison of MANK and CITIZEN KANE, and inquiring about our favorite examples of a timely movie trope.

Please share your comments, thoughts, and questions about SIDEWAYS, ANOTHER ROUND, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Outro Music: Neil Diamond, “Red Red Wine”

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Jonathan Anderson

I object to the statement that Thomas Haden Church hadn't done much in film before this and I submit as my evidence his villainous turn in my childhood favorite George of the Jungle. ... Okay, maybe you're right.