The Projector #93: Quarantainment 2.0? (Patreon)
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by Keith Phipps
This installment’s mostly about a question we’re going to have to talk over at Next Picture Show HQ, but I wanted to get your thoughts as part of that discussion: Do we need to go back to focusing on films you can watch at home? We made one in-theaters-only release, Roadrunner: A Film About Anthony Bourdain, half of our last pairing, and our next pairing will include The Green Knight. (Never let it be said that we passed up a chance to cover a David Lowery movie.) But another piece of writing about The Green Knight got me wondering if we made the jump too soon. Or maybe we made the jump at an appropriate time but now need to jump back.
Over at his (very good) Substack, critic Ty Burr calls The Green Knight “the best movie I don’t want you to see.” He continues:
The Green Knight should absolutely be seen in a movie theater. You should absolutely not go see The Green Knight in a movie theater.
Both of these statements are true, which makes David Lowery’s new movie the Schrödinger’s cat of this week’s openings. As the Delta variant spreads and we all take one step back toward the practical cautions of recent months, gathering with a crowd to look at images on a wall once more seems bold at best, foolhardy at worst.
All this being said, I am going to go see The Green Knight in the theater tonight. My plan is to remain masked the entire time, stay as far away from other humans as possible, and choose a screening I suspect will be lightly attended. It’s a matter of, I feel, minimizing the risk to myself and my family. That I’m vaccinated is the biggest step, but I plan to act as if I’m not to be safe.
Is it enough? I think so? But this is a considerably different strategy to the one I used just a couple of weeks ago when I went to see The Forever Purge. (It’s fine. Great concept, good-enough execution… a Purge movie, in other words). I put a mask in my pocket before walking into the multiplex and, after looking around the lobby and seeing no one else was masked, it remained there the whole time. It didn’t feel dangerous. In fact, it felt like a relief. It felt like we were back were we were before and that felt good.
I don’t feel that way anymore. I’m going tonight but I’m going to treat it like my last trip to the movies for a while. Whether or not it will be… I hope not? The Delta variant developments are scary, there’s no getting around that. And the landscape keeps changing the longer, well, you probably don’t need a lecture about the unvaccinated from me.
That’s where I am. Where are you? And would you rather we return to at-home selections? Let us know.
All that being said, we hope you enjoy our Crumb / Roadrunner pairing. Crumb definitely can be watched at home, and chances are you’ll come away from it without a lot of thoughts. We certainly did. (And thanks to Noel Murray for joining us! We hope to have him back again soon.)
Suggestions for stuff to read: You want ’em, we got ’em (or at least we have a couple this week).
• For ScreenCrush, Matt Singer compares two remarkable long takes in films released in 1990: one that helped make a movie a classic, the other part of an infamous flop.
• At Vulture, Rob Turbovsky offers an oral history of Clifford, the Martin Short/Charles Gordin- starring flop that became a cult classic.