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Meilin, the 13-year-old protagonist of the latest Pixar feature Turning Red, spends much of the film in the form of a fuzzy, giant red panda, but director/co-writer Domee Shi never loses track of the very human emotions and relationships at the heart of this story. Tasha and Genevieve got together to discuss how the film balances the heft of those emotions and relationships with its high-key comedic tone, why the fuzziness of the film's big red central metaphor works so well in its favor, and what Turning Red tells us about the past, present, and possible future of Pixar. 

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Josh Hammond

I think your comparison with Ranma 1/2 is spot-on - I was a huge fan in the 90s and am kind of shocked I didn't think of it. That said, am I the only one who thinks this is a gender-swapped Teen Wolf?! Half-kidding, but the way the school instantly gets behind Mei made me think of the crowd at Beavertown basketball games.

S Jonathan Silverman

The prevalent focus on a parent on so many children's movies may be commercial. One can tell a story from a child's point of view without having the parent share the spotlight. The Adventures of Tom Sawyer, Peanuts, maybe Alice in Wonderland come to mind Caregivers are doubtless central to important aspects of a child's development, but parents can be peripheral to huge parts of a child's life and imagination. Possibly even more so for adolescents. Particularly for theatrical releases though, it's a parent who is footing the bill, providing transportation, etc.

Kevin White

Great discussion. Regarding stories about adolescents that aren’t driven by parental conflict, the first thing I thought of is Over the Garden Wall. Very different (and no parents in sight, I think) but it’s siblings on an adventure and learning about themselves along the way.