The Projector: Catching Up With Old Friends Edition (Patreon)
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by Keith Phipps
Hi, Patreon supporters. After a pause due to a lot going on at once, I think we're ready to pick up where we left off with this newsletter. Sorry for the interruption in service.
This week, we're mostly going to address some podcast business and catch up with some recent work. Let's start with the podcast stuff first. Two questions:
• Do you miss our reading and replying to listener feedback on the show?
• Do you miss hearing our Your Next Picture show recommendations in the episode?
We've tried moving both over to the Patreon feed, but a) we're not getting that much of a response, and b) we kind of miss doing these segments, though we're likely to look for a more streamlined way of dealing with them on the show.
As for recent work, we've all been pretty busy. Here are some selected pieces we wrote, edited, or just liked. Enjoy, and we'll be back next week, possibly with pet photos.
Over at Polygon, Tasha wrote about one of her favorite things in 2022 horror: the hideous, heavily symbolic monster from Hannah Bergholm's Hatching. Tasha talked to Bergholm about how a first-time Finnish horror director managed to land a Star Wars animatronics team and the man behind Heath Ledger's Joker makeup in The Dark Knight to handle the effects on her film — and how the puppet they made self-destructed on the final day of shooting.
Also at Polygon, Tasha talked to Men writer-director Alex Garland about the short explanatory scene he shot and then cut from the end of Men, and about why he doesn't think his opinion of what happens in the film, or what it means, is particularly important. And she spoke with Doctor Strange in the Multiverse of Madness writer Michael Waldron about what impact the film might have on season 2 of his series Loki, and why Sam Raimi was leery about putting undead in the film.
Finally, Tasha has been curating an ongoing series of essays on what writers want from the future of the troubled Star Wars movie franchise, from her own thoughts on why Star Wars needs to focus on new characters to other people's opinion pieces on making Star Wars cheap again, letting the writers learn from a long-running anime franchise, and more.
At The Reveal, Keith and Scott have been conducting an ongoing conversation about the films of David Cronenberg.
Scott's revived New Cult Canon column tackled Darren Aronofsky's Mother!
Keith launched a one-quarter-at-a-time journey though '80s film and '80s culture that's so far looked at 1980's Little Darlings and Urban Cowboy.
Genevieve's been busy editing behind the scenes at Vulture, too. Here's some recent favorites of hers that touch, however tangentially, on film:
Roxana Hadadi has some choice words for the self-congratulatory The Offer, which turns the making of The Godfather into “an incurious bit of mid-century nostalgia bait.”
Jen Chaney asked the filmmakers behind Better Call Saul to unpack its season-opening montage, which is packed with series Easter eggs and nods to Citizen Kane, Alice Doesn't Live Here Anymore, and Sunset Boulevard.
Finally, Kathryn VanArendonk issues a hilarious warning about HBO’s new Steven Moffat-led adaptation The Time Traveler’s Wife, which manages to be an even less successful adaptation than the 2009 film.
And that's it for us for now. Have a great Memorial Day Weekend!