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The abuse of power and resulting fall from grace in Todd Field’s new Tár put us in mind of another cautionary tale of entitlement and bad behavior, in the form of 1988’s Dangerous Liaisons. So this week we’re revisiting Stephen Frears’ lush, lavish depiction of not-so-secret affairs among the French aristocracy to consider what keeps this 17th-century period piece from feeling stodgy, the cruel intentions at work in its many romantic pairings, and what distinguishes its final shot as one of the all-time greats. Plus, listeners bring some of their own interpretation and insight to our recent pairing of Brief Encounter and Decision to Leave.

Please share your comments, thoughts, and questions about Dangerous Liaisons, Tár, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Outro music: “Beyond My Control” by George Fenton

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Ed

I was wondering if any of you had thoughts on Milos Forman's competing "Les Liaisons dangereuses" adaptation VALMONT, which came out the year after DANGEROUS LIAISONS and was sadly buried. At the time, I think I actually preferred it to DANGEROUS LIAISONS (as did some prominent critics), and it was fascinating to see the takes on those characters by Annette Bening, Colin Firth, Meg Tilly, Fairuza Balk, and Henry Thomas.

The Next Picture Show

I watched it at the time, but don't remember it well enough. Revisiting this one definitely made me want to go back and see how well VALMONT measures up. [T]