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Martin McDonagh’s The Banshees of Inisherin reunites the writer-director with Colin Farrell and Brendan Gleeson, stars of his debut film In Bruges, for another tale of a platonic breakup between wordy Irishmen, in a very different but equally picturesque setting. This week we’re joined by writer and critic Siddhant Adlakha to head back to Belgium circa 2008 and examine how In Bruges engages with its titular city on a dramatic, comedic, and thematic level, how McDonagh blends theatrical and cinematic languages, and what gets revealed and obscured in the film’s many meandering, profane exchanges. Plus, with various interpretations of Tár rolling in since our last episode, we take up one listener’s reading of what the film shows us, and what it leaves out.

Please share your comments, thoughts, and questions about In Bruges, The Banshees of Inisherin, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Outro music: “On Raglan Road,” by The Dubliners

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David Lawless

Enjoyed today's thoughtful discussion on Irish film, as an Irishman and longtime listner from Dublin I was sad to hear of Martins slight on Irish film. If i had the chance to direct anyone to an Irish film it would be Lenny Abrahamsons, What Richard Did. A glimpse into the lives of the young privileged of Dublin with career starting performance by Jack Reynor. Looking forward to next weeks Banshees, a lot les cinematic than bruges, as if written with the view of a future run on stage.