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Tilly dashes out of frame and disappears for a half dozen panels here - that's intentional. I'm hoping to better highlight this but I wanted to give the impression that she is extremely competent at her job. She's not teleporting as much as it's implied she predicted where Arthur would flee to and cut him off.I'm happy with how panel 4 turned out - it's a very caught-in-the-act panel with the accusing and alarmed silhouettes framing his high spot of refuge.The fire extinguisher Arthur grabs is of an old type that was full of water and pressurized by hand with a pump. When I was in elementary school in the late eighties/early nineties they still had some of these gorgeous (and probably worthless) brass canisters in the hallways.

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Tamsin

Three separate panels in this one page all do really cool things with perspective that give the sequence a lot of energy