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  • Building Chords - Ch.3 - Part 2 (Triad Pairs Overview).mp3

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We wrap up reviewing triads in Part 2 with an overview of the concept of Triad Pairs. We'll do a quick review of the concept itself, apply all of our horizontal/vertical/vertizontal/octave jumping practice strategies, and then go over a bunch of musical examples and situations where it sounds cool.

This video is split into 4 main sections, use youtube chapters to navigate. For those who don't need a review on triad pairs, feel free to skip to the practice strategies and examples.

1 - Triad Pair Review
2 - Practice Strategies
3 - Basic Examples
4 - "Advanced" Examples

Files

Previews only

Building Chords - Ch. 3 | Part 2 (Triad Pair Overview)

We wrap up reviewing triads in Part 2 with an overview of the concept of Triad Pairs. We'll do a quick review of the concept itself, apply all of our horizontal/vertical/vertizontal/octave jumping practice strategies, and then go over a bunch of musical examples and situations where it sounds cool. 1 - Intro (0:00) 1 - Finding Pairs (12:19) 1 - Where to play them (20:30) 2 - Be creative and experiment (24:14) 2 - Horizontal (27:18) 2 - Separating Brain from Hands (31:04) 2 - Outer Strings, Adjacent Strings (32:52) 2 - Vertical (36:46) 2 - More Vertical Examples (44:20) 2 - Vertizontal, Playing Melodically (48:00) 2 - Octave Jumping (50:45) 2 - An Idea I Like (52:53) 3 - Examples, Maj-Min (58:26) 3 - The Function of the Notes (1:01:28) 3 - Examples, Maj-Maj (1:04:47) 3 - Examples, Min-Min (1:12:14) 4 - Pairs that Aren't the Chord (1:17:21) 4 - More Fun Pairs, Dim7-Maj or Min (1:34:53) 4 - More Fun Pairs, Min-Maj over Spicy (1:37:00) 4 - More Fun Pairs, Maj-Maj over Altered (1:41:21) 4 - More Fun Pairs, messing with Augmented (1:44:01) 4 - More Fun Pairs, suspended (1:46:56)

Comments

Strings Of Rage

The thing that I love about watching any of your videos is the over the top incredibly clever creativity. It’s never “just” a lesson. It’s always here’s the concept and we can now do this, this and this and also if you do this you can get X sounds. Congratulations again on your mastery and thank you for doing what you do. I’m proud to be a part of your Patreon

Strings Of Rage

One question if you don't mind. When you're playing triad pairs, are you thinking from a new root every time? Because really, this all comes down how you think isn't it? for example, if you're doing an Amaj to Bmin triad pair, are you thinking R35 of major and then quickly adjusting your thinking and visualising to R b3 5 of B OR are you thinking from A the whole time and thinking R 3 5 for the major and then 2 4 6 OF A for the minor? ESEPCIALLY when you're playing quickly thorugh these ideas, surely your brain and eyes isn't going major minor major minor and the root notes are shifting in your minds eye? really curious to know how you're thinking and what you're 'seeing' especially at speed its tricky at first to adjust your thinking on the fly from a new root but I guess it's just practice like everything else? Cheers LoG Colin Strings of Rage from the Southernmost UK