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Instead of having the strobe hit her and freezing the details of her face and body, I aimed it behind her, hoping to carve out a silhouette off the white wall. I hoped the colored light would then illuminate her torso as she moved during the same long exposure of the previous lighting set-up. I stil stubbornly wanted to also add the use of the mirror in these shots, which again, complicated everythign very much. but I knew that if it worked, it would be great.

This required many, many test shots before things started looking remotely usable. This shot was the first I didn't hate.

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