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The Garden of Sinners Chapter 3: Remaining Sense of Pain (Patreon)

Published:
2025-10-25 12:00:10
Imported:
2026-08
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Chaolao

Well, the reason she looks like Sakura is probably just because the main original artist, drew Tsukihime, Fate/Night, Kara, F/GO, etc, etc. Just to put it short, there's a lot of expy characters who looks similar.

Chaolao

@ 8:44 Nah, the "hunger" part was a craving to hunt their prey.

Chaolao

@ 49:29 "I can kill anything that lives" In a longer way of saying it, she can bypass resistance to cutting someone up, she can indefinitely permanently kill Saber, EMIYA, or Gilgamesh off the throne of hero's/lesser Grail itself permanently off of existence. I'll try to explain what she means after I finish watching this whole.

Chaolao

The hunt for Fujino: The investigation eventually reveals Fujino as the killer. Shiki confronts Fujino, recognizing a similarity in their nature, and a fierce battle ensues on a bridge. The final confrontation: During their climactic fight, Shiki uses her "Mystic Eyes of Death Perception" to see and "cut" the conceptual origin of Fujino's power, neutralizing her telekinesis. The truth of Fujino's pain: It is revealed that the pain Fujino has been feeling, which she and the characters attributed to her wounds, was actually caused by a life-threatening, ruptured appendix. Shiki realizes this and, instead of killing her, uses her power to "kill" the illness itself by slicing the conceptual "death" of the appendix. Aftermath: With her power neutralized and the illness removed, Fujino's sensitivity to pain disappears again, along with her desire to kill. Shiki leaves her to be found by Mikiya and Touko, who call for medical assistance.

Chaolao

Cut information that didn't make into the movie. Key differences between the movie and novel The movie and the original novel. They share the same core plot but differ in some details, narrative structure, and thematic depth. Story sequencing: The movie is presented in a non-linear fashion, while the novel follows a more chronological order. Expanded character context: The novel provides additional insight and more detailed background for characters like Misaya Ouji, a secondary character not mentioned in the final movie cut. The novel also gives a more complete explanation of fairies and other creatures in the Nasuverse. The "Tongue of Babel": The novel describes a concept called the "Tongue of Babel" in detail, which is completely omitted from the movie. Appendicitis plot point: In the movie, Fujino's pain is simplified to appendicitis. The novel offers a different, more complex chronic medical condition (Neutropenic enterocolitis) that could be mistaken for appendicitis. Love for Mikiya: The novel gives additional backstory connecting Fujino's early life and her eventual feelings for Mikiya, which is absent from the movie version.

Chaolao

Brief powerscaling in this movie. In The Garden of Sinners: Remaining Sense of Pain, powerscaling mainly focuses on the abilities of Shiki Ryogi and Fujino Asagami. Shiki's "Mystic Eyes of Death Perception" can cut and destroy the conceptual existence of objects and people, effectively bypassing conventional durability. Fujino's abilities are initially telekinetic and include the inability to feel pain due to a sealed ability, but she regains the capacity to feel pain after Shiki disables her telekinesis. Shiki Ryogi ▪︎• Mystic Eyes of Death Perception: Shiki's primary power is her ability to see the "lines of death" on everything, allowing her to cut and destroy the "origin" or "death" of anything she can see. This ability is not limited by the physical nature of an object and is highly potent. ▪︎• Combat ability: She is a highly skilled close-combat fighter, able to defeat many opponents through her mastery of the Mystic Eyes of Death Perception. Fujino Asagami ▪︎• Telekinesis: Fujino's primary ability is telekinesis, which allows her to manipulate objects without physical contact. ▪︎ • Pain sensitivity: Her ability to not feel pain is a result of her father artificially sealing it. When Shiki cuts her abilities, Fujino regains this sensitivity, leaving her vulnerable to physical harm and with the capacity to feel pain once more. ▪︎• Spatial manipulation: After her telekinesis is cut, Fujino's new power allows her to bend and break space around her, which she uses to destroy the bridge during her fight with Shiki. However, this also causes her to become severely injured.

Chaolao

Since this movie came out in 2008, it may not look like it when Shiki Ryougi was running on that fucking wall, jumped as high over the bridge walls, and being acrobatic in animation. She is superhuman levels with her Ryougi family's training.

Ashamdon

You could say, these guys were truly twisted...