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No real plan here — just spotted the light, grabbed the gear, and Loveless dropped into the scene like it was built for her.

The tattoos do a lot of work in this frame — they break up the desert tones and give you something to read without pulling too hard from the rest of the shot. I kept the angle low to bring in the fence posts and some depth in the background, but the real focus was letting her shape lead the frame.

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