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This set with Erin and the three-wheeler is one of those ideas that just doesn’t really exist anymore — and that’s kind of the point. Three-wheelers are such a weird, specific relic. They were everywhere for a minute, then basically disappeared. Seeing one again instantly feels nostalgic, like something pulled straight out of an old memory instead of a modern shoot.

Doing it in the snow took it to a completely different place. It was only 14 degrees when we shot this, and you can feel that cold in the images. The snow spray, the frozen ground, the contrast between skin and winter — it all adds tension. Nothing here feels staged or comfortable, and that’s what makes it work.

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