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This set felt different shooting here since Vanessa is actually from Lowell. It’s one thing to use a location, but it hits different when the person in the frame has a real connection to it.

We shot this right at golden hour and just let the light do everything. The warm tones bouncing off the buildings, mixed with the teal truck and the black outfit, kind of built the look on their own without overcomplicating it.

I kept it simple—wider shots to let the town breathe, then tighter frames to bring it back to her. The truck shots especially changed the feel of everything, made it lean more editorial.

Just one of those sets where everything lined up naturally.

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