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This set with Faith is a revisit from the archives — and honestly, it surprised me.

Shot at a friend’s house out in West Hollywood, this was one of those setups where everything just came together naturally. Good light, a strong subject, and a space that didn’t need to be overworked.

This drop includes a mix of favorites and a bunch of unreleased images, bringing the full set to 33 total photos.

I always go back into older work expecting it to feel outdated. New gear, more experience — you assume everything newer is better. But going through this set reminded me that’s not really how it works.

If anything, some of these frames hit harder.

A big part of that is the light. It’s stripped down — high contrast, black and white, nothing distracting. Everything either falls into shadow or catches a hard highlight, which gives it that cinematic, almost film-like feel. It’s not overly polished, and that’s exactly why it works.

There’s texture. There’s grit. It feels real.

The “Bad Bunny” title felt right for this drop — a little Easter twist, but still leaning into the darker, more editorial tone of the set. It’s not playful Easter… it’s a different version of it.

Faith carried this entire shoot too. Simple posing, strong shapes, nothing forced. Just letting the light and contrast do the heavy lifting.

Revisiting sets like this is always a reminder — it’s not about having the best gear.

It’s about seeing it.

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