B.O.N.U.S. Kast #5: Everlast's Whitey Ford Sings the Blues w/ Felix Biederman (Patreon)

When you review an album this bad, it's important to bring out the heavy hitters to review it with you, and this month is no exception as we welcome Felix Biederman from Chapo Trap House to the show. Bryan, misremembering this album as good, forces John and Felix to listen to this bloated, cynical cash grab that barely registers as a cohesive album despite it being Grammy-nominated and selling 3 million copies. (did everything in 1998 sell 3 million copies?)

This album was sold as hip-hop and nu-metal adjacent, with Everlast trying to capitalize on his success with House of Pain with something he describes as "hick-hop", but beyond the two singles, it's just a very straight-forward rap album with bad beats and worse lyrics and we break it all down for you so that you don't have to.