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A shorter one this time around but still great questions!

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The Forest For The Trees - Epilogue

01:15 - Why bridging and fill-in medium over the hole instead of an inlay 02:10 - When retouching, do you ever lose track of where you worked? 03:01 - Do schools use your videos for teaching? 04:09 - Talk about the risks of working with mold and rehydrating the spores. 05:40 - Talk about the humidification process and equipment… 09:20 - Talk about the rabbit skin glue and bad materials vs bad work. 12:51 - How do you know what sheen varnish to use? 15:09 - Have you ever worked on a 3D canvas piece? 16:25 - Is securing the keys unique to your practice?

Comments

Anonymous

That’s really interesting about the keys. Even if they are secured in with the fishing line as you do, let’s say that the keys work themselves loose. Is it recommended that the painting be taken back to the conservator to be tapped back in to preserve the correct amount of tension or can the owner of the painting do that himself?

Anonymous

Every time you answer one of my questions my first thought is "oh hey that person has the same name as me" lmao thank you so much for the thorough response I really appreciate it!!