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Like every collector of artwork, every painting lives a life whether the artist envisions it or not, and throughout that time a piece can be subject to any number of factors that can undermine its longevity.  We labor to keep our minds and bodies sharp and healthy and that is precisely the role of the conservator for the painting.  Some paintings require minimal attention and maintenance and others much more drastic interventions.  For this collector's painting of a deceased monk, the task was simply Bringing Death Back To Life

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Like every collector of artwork, every painting lives a life whether the artist envisions it or not, and throughout that time a piece can be subject to any number of factors that can undermine its longevity. We labor to keep our minds and bodies sharp and healthy and that is precisely the role of the conservator for the painting. Some paintings require minimal attention and maintenance and others much more drastic interventions. For this collector's painting of a deceased monk, the task was simply Bringing Death Back To Life

Comments

Anonymous

About mulberry paper. I think that is the paper the Japanese used to manufacture the incinderery bombs they launched to the US during WWII. Caused fires and killed six. No reflection on their current use.

Anonymous

Question, what was different about the seam on this piece that you didn’t shave it down to eliminate it the way we’ve seen you do before? Was the structure more damaged or was it more owners choice?