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Bringing Death Back To Life Epilogue (Patreon)

Published:
2023-07-31 14:00:07
Imported:
2026-06
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Content

01:07 - Why was the animal glue so tenacious this time? 

02:17 - Talk about the research that Cameron did and who is actually pictured… 

06:02 - Why don’t you feature more abstract or modern paintings in your videos? 

07:04 - Why are stretchers so commonly discarded, are they not important? 

08:39 - Did the frame require any work? 

09:24 - We know how you feel about staples vs tacks, but what about nails vs tacks? 

13:57 - How is it different working with galleries and collectors vs regular folk, with important artworks vs sentimental pieces. 

15:15 - That seam, what gives?!

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Bringing Death Back To Life Epilogue

01:07 - Why was the animal glue so tenacious this time? 02:17 - Talk about the research that Cameron did and who is actually pictured… 06:02 - Why don’t you feature more abstract or modern paintings in your videos? 07:04 - Why are stretchers so commonly discarded, are they not important? 08:39 - Did the frame require any work? 09:24 - We know how you feel about staples vs tacks, but what about nails vs tacks? 13:57 - How is it different working with galleries and collectors vs regular folk, with important artworks vs sentimental pieces. 15:15 - That seam, what gives?!

Comments

Anonymous

great conversation, did not fully appreciate the difference between tacks and nails! The seams show how valuable linen was in the past. I don't know if 'painting linen' was a different quality to clothes linen. Either linen in general was valuable or painting cloth was high quality so valuable. Since seems appear to be common. Or maybe seams didn't show when first done?

Brooks Moses
>>114294269

Yeah, that was something I was quite curious about, as a follow-up question about the seams: How visible would they have been when the painting was first created, compared to what we see now (on, for example, this peice)?

Anonymous

Thanks for answering my question! Really fascinating to hear that you often work with people who only have a single painting.