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I changed my mind a few times on how I wanted Edith to enter the scene here. If I wanted to focus on her face, or on the action of her stepping out into the door frame. I don’t know how long it will last, but for now I’m pretty happy with how this page turned out

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Godslave the murder

Comments

Garth Mindfeather

getting to watch the evolution of the scene as you struggle with emotional impact in the placement of Edith here is really thrilling. i keep getting the impression that Set picked Ausir up from the bed by his feet, smashed him back-and-forth into the nearby table and against the floor a few times, then tossed him back in bed, a godly rag-doll with pulverized bones.