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Tommy is an... interesting project, with a complicated legacy. It's a challenging, fascinating work, and it revolutionized the music world by introducing the concept of the rock opera, with a long, interconnected narrative running through the album, the narrative itself certainly raises some eyebrows. That legacy and complexity have meant that, while Tommy is remembered for its historical importance, the actual music on it has mostly not survived in pop culture in the same way as other important albums of the time, with one glaring exception. Outside musical theater circles, Tommy is remembered mainly as the album that brought us Pinball Wizard, Pete Townshend's bombastic celebration of an arcade classic, shoehorned into the plot as an inside joke with rock critic and pinball fan Nik Cohn. That song has become emblematic of the album as a whole, and while there's a lot more to Tommy than that, I think it's a pretty good introduction.

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DrJRad

Love the smeak peeks and trying to figure out what going on. There will be talk of shifting time, no?

Brian Miller

Beings I've loved playing pinball since I was young, this song was always special for me. I miss the old fully mechanical machines.

MrScience

Hey there, I'm copying in over here something I posted on the "Closing Thoughts" entry as well. . .not sure what's the best protocol. . . I really appreciate your thoughtfulness about the significance of Tommy. Two thoughts. First, lyrically, it has to be judged in its cultural context as being effectively sui generis: I don't believe that anyone before had approached these themes and topics. Townshend was so young, and so bold and brave to just put it out there like that. This wasn't part of some cultural dialog, it was the initiation of one, he had no context (maybe _Stranger in a Strange Land_). And as you probably know, while not autobiographical, he was clearly starting to work out his own demons here, something that would echo through his life and future work. Second, musically, Tommy isn't just a "good album", it's absolutely foundational for the rock canon. I'm a late boomer, so "kids these days", sure, y'all don't have it burned into your young minds like my cohort, every track, every phrase. You do mention it, but again for the complexity of composition, orchestration, production, and musical concept, it opened up the universe, at least for what broke through to the public. It contains some of the most fundamental pieces indicating what the possibilities for a rock ensemble could be. I may have now missed a chance to propose a song for you to analyze, but Amazing Journey/Sparks is this compositional triumph, in the first part weaving these intriguing chord changes under the melody, and then shifting into this blistering instrumental metal rave-up which is almost through-composed, working through a half dozen keys over John's pounding bass before crashing back to the opening theme. I worked on a piano arrangement for weeks trying to reflect the subtleties. Beyond that, the contrast with what they could then do to bring that live as effectively a power trio is nothing less than stunning (Live at Leeds being canon, of course). Moon live? Get outa here, you'd never be able to transcribe it. :) Thanks SO much for what you do, yours may be the best channel on YouTube.