Modulation Music Theory | Q+A #46 (Patreon)

Modulation Music Theory | Q+A #46

Also, how to deal with critique, how to get a clean, punchy bass sound, and what fuels our rhythmic perception of time. Many thanks to Squiggledig Animations, Antonio Rivera Torres, oddboy18, Jacob Ingram, Sambba83, Émile St.Pierre, Mario Christofi, maidpretty, Graham Connor Hudson Jameson, Anna Maxwell, rolfvdhulst, Zach Howarth, and Asmodean Underscore for your insightful questions! Steve Lehman thesis https://slehman.s3.amazonaws.com/uploads/document/pdf/3/StephenHLehmanDissertation.pdf 0:14 What’s the deal with George Crumb’s Black Angels? 1:30 Does modulating up a half step make a “brighter sound?” 3:52 Is working with Sibelius a good way to learn music notation? 5:37 What guitar parts should I play on songs that don’t have guitar on them? 6:56 How do you get a clear, punchy bass tone? 8:16 What tips do you have for me in arranging a pop song in a jazz context? 10:34 What groups are similar to your band, Sungazer? 11:34 NAMM is comic-con for musicians 11:47 Why don’t you teach at University? 12:27 How do you deal with critique? 14:39 What fuels our rhythmic perception of time? Is it common physical activities? 15:41 What are the modern trends in jazz and classical music? (⌐■_■) ⦿ Adam Neely T-shirts!⦿ https://teespring.com/stores/adam-neely-merchandise ⦿ SUPPORT ME ON PATREON ⦿ http://www.patreon.com/adamneely ⦿ FOLLOW ME ON THE INTERNETS ⦿ http://www.facebook.com/adamneely http://www.instagram.com/its_adamneely ⦿ Check out some of my music ⦿ http://sungazermusic.bandcamp.com http://insideoutsidemusic.bandcamp.com http://adamneelymusic.bandcamp.com Peace, Adam