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Day two is complete, and with it, we have finished all 12 sets of our upcoming 100th project, The Hundredth Chamber.

Four models. Three different looks for each muse. Twelve visual worlds, each created with its own lighting, colour, atmosphere and emotion.

This time, we designed 12 different lighting setups using:

Two 500W lights

Two 400W WRGB lights

Two 300W lights

Tungsten bulbs and candles as practical light sources

The entire photography project was captured on the Sony α7R IV, using 20mm, 35mm and 85mm lenses. For selected motion sequences, we used a 35mm cinema prime lens to create a more intimate and cinematic perspective.

But this project is not only about cameras, lenses or powerful lights.

I placed my deepest thoughts, experiences and personal philosophy into every frame. Every camera angle represents a point of view. Every shadow holds part of the story. Every colour was chosen to create harmony with the emotion I wanted the image to carry.

Our team gave everything they had, and all four models brought their own presence, trust and strength into the chamber. Their identities will officially be introduced on 13 August.

After years of creating Indian boudoir photography, reaching our 100th project feels deeply personal. My vision has always been to show that Indian boudoir can feel cinematic, meaningful and emotionally honest. It can hold intimacy without losing dignity, and sensuality without losing its story.

I am incredibly excited to finally present The Hundredth Chamber, our 100th step in building the visual world I have always imagined for FOI Studios.

The doors of the chamber will open soon.

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