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In this video, I explore how to get the most out of Bitwig Studio 6's new global scale feature, showing how it can make creating interesting drum and melodic sequences easier and more musical.

I walk through building a beat with kicks, claps, and hi-hats, then demonstrate how to use note effects and arpeggiators along with the global scale to generate creative basslines and melodies, all while keeping everything in key.

The workflow opens up new possibilities for generative music and fresh ideas by letting modulation and randomness become musical, instead of unpredictable noise. If you want to break out of repetitive patterns or try something new in Bitwig, this feature is definitely worth exploring.

Introduction to Bitwig Studio 6 and its new global scale feature for creative sequencing

Setting up a drum section with kick, clap, and hi-hat including velocity and expression edits

Grouping drum tracks for cleaner workflow and adding peak limiter for safety

Creating a bassline using Polymer synth, monophonic mode, arpeggiator, and MIDI FX

Utilizing the global scale feature to lock arpeggiator steps to the key/scale

Applying note FX like velocity for filter modulation instead of volume

Using audio sidechain to duck bass with the kick drum

Building a melody using similar note FX routing and global scale quantization

Layering arpeggiators and routing different MIDI channels for richer melodic textures

Leveraging global scale with randomizers, note repeaters, and quantizers for generative patterns

Encouragement to use note effects and global scale for breaking habitual workflows and discovering new musical ideas

Concluding statement about the potential and flexibility with the global scale feature in creative and generative music workflows

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Easy Steps to Awesome Sequences in Bitwig 6

In this video, I'll show you my favorite new workflow in Bitwig 6 for making awesome sequences without having to paint in a single note. I start with just one long note and use a chain of Note FX... like Arpeggiators, Randomizers, and Transposers to build an entire bassline, a layered melody, and a generative pad. You'll see how the new Global Scale feature is the secret weapon that keeps everything musical and lets us create complex, inspiring ideas effortlessly! Video transcribed, summarized and Q&A on my Blog (no ads): -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 donate via Paypal: https://bit.ly/3cae9t8 🎧 my Music: https://polarity.bandcamp.com/ 💾 my Tools: https://polarity.me/posts/articles/2024-08-04-polarity-tools/ 💻 my Gear: https://kit.co/polarity/polarity-music-kit 👉 Discord: https://discord.gg/eWwFBww 👉 Website: https://polarity.me -- 🛒 Buy/Upgrade Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66

Comments

Secret Cinema

then switching the global scale to another harmony with that note grid module you did before...nice!!