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The Filter+ device in Bitwig Studio is my go-to audio effect because of its impressive versatility and modular nature.

It combines a powerful distortion section with a flexible filter, allowing me to shape and enhance sounds in countless ways, from adding harmonic richness to crafting resonant synth textures.

I love how easily I can swap out modules, modulate parameters, and dive deep into creative signal processing, even turning the device polyphonic for more advanced setups. With options for both pre- and post-effects, plus intuitive modulation routing, Filter+ fits seamlessly into any workflow, making it an essential tool in my production process.

Filter+ is a highly versatile, modular, and compact audio effect in Bitwig Studio, combining distortion and filtering in a single device.

Audio routing goes into the distortion module first, then is processed by the filter, enabling subtractive shaping by adding harmonics and then filtering unwanted frequencies.

The distortion module is fully interchangeable, featuring options like transfer curve, hard clipping, soft clipping, rectifier, saturator, push, and quantizer.

The transfer curve distortion is highlighted for its customization, allowing users to draw their own distortion shapes.

The distortion module can be bypassed or tailored with anti-aliasing options and bipolar settings for shaping positive and negative signals differently.

The filter section includes a variety of filter types: low pass, band pass, high pass, notch, and more, with selectable filter slopes and additional filter models like ladder and SVF.

LFO and audio-rate (sidechain) modulation are built into the filter for dynamic movement; pre-filtering is available for smoother modulation.

Modulator outputs enable flexible routing to parameters such as resonance and allow external LFO/audio modulation.

The device supports a semi-modular configuration, but advanced users can convert it to an FX Grid for deeper customization, at the cost of losing the streamlined UI.

Comprehensive inspector parameters match those of the FX Grid, including mono/polyphonic voicing, voice stacking, and control settings.

Polyphonic processing is possible, allowing one instance of Filter+ to act on multiple voices concurrently, making it unique among audio effects.

Pre-FX and Post-FX slots enable simple routing for shaping audio before or after the Filter+ processing, with a mix knob to blend wet and dry signals.

With self-resonance and voice stacking, Filter+ can even act as a resonator or be turned into a simple synthesizer.

Built-in help and contextual information are provided for each module and filter type directly in the device’s interface.

The device is foundationally based on Bitwig’s modular FX Grid system, merging semi-modular sound design with immediate hands-on control.

Files

Filter+ - Bitwig Audio FX Guide

Discover why Filter+ is one of the most versatile and essential audio effects in Bitwig Studio. In this guide, we dive deep into its semi-modular architecture, exploring how the combination of customizable distortion and flexible filter shapes can transform your sound. We’ll cover everything from the basic signal flow to advanced "under-the-hood" tips, including audio-rate modulation, voice stacking, and a creative walkthrough on how to turn this audio effect into a fully playable polyphonic synthesizer. Whether you're looking for subtle warmth or experimental sound design, Filter+ is a powerhouse you need to master. 0:00 – Why Filter+ is a must-use device 0:10 – Understanding the signal flow (Distortion - Filter) 0:34 – Exploring Distortion types & Custom Transfer Curves 1:41 – Anti-aliasing and Bipolar settings 1:50 – Filter controls: Drive, LFO, and Cutoff 3:00 – Audio Rate Modulation (FM-style effects) 4:51 – Native Modulators vs. the Modulator Pane 5:56 – Swapping Filter Models (SVF, Ladder, Sallen-Key, etc.) 6:51 – Accessing the Grid View for hidden parameters 8:12 – Converting Filter+ to a full FX Grid 9:00 – Inspector Settings: Polyphony, Voices, and Note Through 11:54 – Using Pre-FX and Post-FX containers 14:25 – Creative Trick: Building a Resonator with Voice Stacking 17:40 – Creative Trick: Turning Filter+ into a Polyphonic Synthesizer 21:06 – Filter+ vs. Sweep: Which one to choose? 21:56 – Final thoughts and wrap-up

Comments

Alexandre Enkerli

Nice one! Could even help people who haven’t used BWS understand “what the fuss is about”. For instance, the part about having each voice carry its own filter goes well with both MPE and CLAP. An issue, though, is that brings back the whole point about the frontend GUI. Why won’t the company let us create those, after all these years in The Grid? We’ve been talking about this for so long that it’s pretty much taken for granted. It’d make a huge difference in such a hardware device: https://synthanatomy.com/2026/01/poly-effects-hugo-a-linux-based-pedal-powerhouse.html#comment-150998