*Edited with Transcript* The State of All Things: August 2022 (Patreon)
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**Hallo dear loves...just an EDIT from Saturday, Sept 3rd, around 1pm arizona time...and I'm reading all comments and will respond until this sentence is deleted. Greetings from Tucson, I'm only here for about 36 hours to bring my dad home, and there's not a lot of time to write, but I think I have an essay/piece in me that with your cheerleading, I will write on the plane home. Send me some cheer.
Meanwhile: one of our own, Damian Masterson, took it upon himself (without even being asked?? with his supermarket to run and two kids??) to transcribe the Althing video...so I'm just going to cut and paste it right up top here for those who didn't have the chance to watch it and would rather READ. Here it be!!!:
*breathes out*
Here we are again.
So, this was supposed to be the month, August, where I unpacked, caught up, rested, recuperated from New Zealand; and spent time with my child, getting him integrated into this town, making him friends; and being a local, and hanging out with moms and parents, and taking him to swimming hole. And also, in there, a two week lovely visit from my dad. And the first week of the month went according to plan. The first week or so. And I worked my way up to the O+ festival, and then everything was going to be going according to plan.
And I’m not surprised anymore when the plan doesn’t really happen. So, instead, my dad was in the hospital for the better parts of three weeks, and he got Covid, and I got Covid. Ash has had a really rough landing, and so have I. Round and around we go. And I’m really tired, the Covid is making me very tired. And things not going according to plan is always exhausting. It’s hard to tell what’s the Covid and what’s not the Covid. However - look at this dancing curtain, just right on cue. Let me tell you this. I got really good in New Zealand at things not going according to plan. And I now plan for things not going according to plan, and it doesn’t really bug me anymore. And so much of it has to do with just laying down my ambitions, and my expectations, what I think I’m supposed to do, what I think Ash is supposed to do, what I think I’m supposed to accomplish, what I think it’s supposed to look like. I have set it all pretty much aside, and I’ve gotten really good at doing this day, and what this day requires.
I can’t remember if I wrote about this in the Art of Asking or not. Anthony gave me a lot of really great advice, and he had a lot of really quotable advice. And one of the things he used to say, general biggest life advice, was keep good company. And it’s been really shaking and enlightening to go from this experience I had in New Zealand, and sort like watching myself choose what, especially because I was usually attached to a child, so like there is company you keep when you're attached to a child, and the company you keep as a solo adult. And then coming back to America, what feels like a life time ago, even though it was just a few months, and just watching myself in the decisions I’m making in terms of what kind of company I want to keep. Who’s good to be around, and who’s not. It was almost like New Zealand was primary school for me. Like really learn this Amanda. Really think about it. Be really deliberate. Be really discerning. What kind of people do you want to be around? What are their qualities? What are you looking for? In a partner, in a friendship, in a lover, in whose going to watch your child, in everything? And I was saying to Coco, the other day we were doing yoga together. It just bubbled out of me, I said Coco, I just want to be with the gentle people. And she was like, Amen.
And then it needs to be a series of choices. And then I look at my life and my life choices for the last 20 years, and the kind of company I’ve kept, and the kind of company I’ve thought I needed to keep, and wanted to keep. I could look at a whole story from my teen years, up through now, and what turned me on, what excited me. And oh my god, like when I was a teenager, the gentle people were the enemy. Like really. They were the enemy. The gentle people were the boring people. The good, trustworthy, basic, honest kids, were like those were the kinds I wouldn’t hang out with. And now, all I want is to be around the gentle, easy-going, non-anxious, trustworthy, solid people. It’s such a 180. I really want it for Ash. And I’m also about to go back into the world of hardcore Rock and Roll. Like touring with the Dresden Dolls. Being what Andrew O’neil dubbed the night people. I’ve always been with the night people. The sexy glitter people. And thinking how do I marry these two worlds? How do I marry the world of the go-go boots and the world of the lunch boxes? What is it going to look like? And how can I make it amazing? And the Patreon is a huge part of it.
So, I want to say something to you guys with my eyes and my voice, I’m going to write about it in the All-Thing, but I’m so tired right now, and this month, this week, and and by all of the things, leaning heavily on this impromptu video to speak to you, but also we’re getting to watch the curtain dance. Loving it. The patreon is something that I am taking less and less for granted, not just as my financial safety net, my safe artistic community, my great sounding board, but also I think I’m going to need to start using the Patreon as a well to draw from as I start putting the world of upstate new york and my new life here, and a new crew, and a new staff, and the Dresden Dolls, and this property that I live on, and everything, and I’m like I need to be going to the Patreon more and asking for more. There’s so many good smart people. I just need to know what I’m asking for, and then I need the time and the bandwidth to accept that help, and the community that I know is there and is going to show up. And it’s going to take a second, but I’m really excited about it. I am excited to do what I used to do, which is really throw myself into the arms of the community and say, “ya know what, because you’re here, I trust you.” Because pretty much everyone who comes through this community is relatively gentle. Cause this community has sort of Darwinianly weeded out the assholes.
So that’s like on the horizon. And you guys will know that like my shit is finally landing, and I’m finally getting my shit together when you see me start asking. Like you for help. Sophie Strand and Holly Miranda and I are in a little text group, and so Holly Miranda - who is this great local musician - was commenting that when the Earth is too dry, when there is too much drought, of which there is right here now, we just got some rain yesterday, it’s been dry and brown, and I know the UK is going through dry and brown, and everyone is seeing the massive metaphorical poetry in all of this. When the ground dries up, it can’t even accept rain, right? Like things get too hard, and too dry, and then the rain comes and it’s just a fucking flooded mess, and that’s kind of how I feel right now. I feel like I have been in drought for so long that like even a helpful coming by with a watering can is like - things need to happen really slowly for me to even be able to accept help. Because you need to be - this is sort of like The Art of Asking Part II, in order to accept help you need to have laid the groundwork for the ability to accept help. Like if people are going to bring casseroles and food over to your house because you're in grief, and your partner has died, you have to at least have the ability to make space in your fridge. For the casseroles. And space in the freezer for the frozen soups, because otherwise all of these people will drop this shit on your doorstep, or if you have covid, or whatever, and it will just rot.
On the same note, I have not opened my mail since I got back from New Zealand. I keep waiting for the right day to do it, and I’m like it’s been sitting here. There are packages that have shown up on my doorstep in NY since March 2020, and I’m just looking at this giant pile of mail, going like, I thought I was going to have time in August to have like an entire mail day. So, instead of opening up a package here or there, I’m just not opening the mail. Because the ground is too dry. I don’t even know where to start. I need to make space in the fridge, nad and the freezer before I can open up even like a single letter, or package, because all of those things need time and attention and if I don’t have the time and attention to give them, then whatever goodness and loveliness is in these packages, most of which are gifts and stuff, like I won’t be able to receive it. I need time. And energy to do that.
So, those are my thoughts of the moment. I have to go really slow right now, and I’m going slow, and I got good at it, and I’m like I’m in kind of an awe and appreciation that I have changed this much, this bigly, in just three years. Because the person I was three years ago in this house, oh my god, in between the American tour and the European tour of There Will be No Intermission, Very different person. Very different artist.
On a high note, let me end on a high note. Is the curtain still dancing? No the curtain’s not dancing, so I’ll just show you me. The high note is, The Dresden Dolls are playing in November. I know you’ve all seen that happening. The shows sold out really fast. It’s awesome. It’s exciting. And I have written and scrapped, in my head and also at my desk, like a couple of Dresden Dolls records. And I cannot wait, I cannot fucking wait, to do this. And to actually sort of start from scratch, and write a new record to make with Brian. To this moment. Like to write to this moment. To this moment in my life. To this moment of everything that’s changed. To Ash. To, as a fucking love letter to the gentle people. As a real moment in time. It’s so exciting. It’s so exciting. I cannot wait to sit down at a piano and see what comes out, because The Dresden Dolls are a fucking amazing vehicle. It’s like having a lamborghini in the porch for like this many years, and going like “I can’t drive it”. Like getting to write music for The Dresden Dolls, knowing that I’m going to tour it around the world, and knowing that I’m going to record it, is like taking the keys of the hook and sitting down in the lamborghini and going like “Hawwww, this thing goes so fast”. That’s very exciting. And as I slowly open the mail and clear away the debris, those are going to be the real joyous artistic moments in my life for next couple months. And I’ll play that material at the Dolls’s shows. And then eventually everyone will here it and that’s making me excited.
And I’m also just trying to take care of my body because covid, and I’m tired by 6 o’clock every night. And It’s real, the tiredness is real. You were all right.
On that note, I’m gonna leave you. This has been one of the poetry books by my bed lately. Dorthy Parker. I’m not even going to read you a whole poem, I’m going to read you my favorite line from one of the Dorothy Parker poems that I read the other night. It’s a line from a poem, called ‘The Whistling Girl’. Ok, two stanzas, back to back. These are really good. This is the song that I’m singing. This is the song Dorothy Parker was singing. Ok, no, three stanzas. I should just read you the whole poem, but I’m not. You’ll have to go look it up yourself. Alright, ready? Ready?
“"Better to shiver beneath the stars,
Head on a faithless breast,
Than peer at the night through rusted bars,
And share an irksome rest.
"Better to see the dawn come up,
Along of a trifling one,
Than set a steady man's cloth and cup
And pray the day be done.
"Better be left by twenty dears
Than lie in a loveless bed;
Better a loaf that's wet with tears
Than cold, unsalted bread."
Don’t you want to just make love to Dorothy Parker all night long? Alright, that’s what I’ve got for you, my dears. I’m gonna read all the comments in the All-Thing. And I’m gonna set up a time for a webcast next week. Steady as she goes. There will be no fucking intermission. Ever.
I love you all so much. Bye.
......
THANK YOU DAMIAN!!!!!! I OWE YOU A DONUT.
Back to the OG post....
......
Theme: I'm tired. From Covid, from everything. I made a little twenty-minute video (above, just press play!), rambling about some wider thoughts and takeaways...and Alex would usually transcribe it but he's off the clock and it's the end of the month and Althing Deadline Time, so forgive us that one.
I'm gonna do my best. As I say in the video, I'm going to need you all, but I'm not even ready to be able to need you yet. If you know what I mean. I treasure this community.
Contents of this Althing:
- YER BASIC LIFE UPDATE
- WHAT'S HAPPENED THIS MONTH...
- PROJECTS RELEASED THIS MONTH...
- WHAT'S COMING DOWN THE PIKE...
- DISPATCHES FROM TEAM AFP...
- HOW THE PATREON ITSELF IS DOING...
- OTHER ARTISTS TO SUPPORT & FOLLOW...
- ART BEGETTING ART...
- THE PATRON COMMUNITY BULLETIN BOARD...!
......
A LITTLE LIFE UPDATE
Well, then.
I say it in the video and I'll say it here... the "There Will Be No Intermission" theme seems to be a goddamn permanent one.
August was meant to be the low-speed and delicious catch-up month before Ash started school and instead, once again, (am I surprised?) very little happened but emergency triage: dealing with Covid, finally and spending the better part of three weeks going back and forth to two different hospitals in the area where my dad, Jack, wound up because that's just the way it goes sometimes.
The good news? He's out and he's good. We are both now Covid-negative, he was finally sprung the hospital a couple days ago, and he's here at my house in Bearsville til Friday when we are going to both fly to the west coast to get him settled at home again.
It was so hard to watch him going though the hospital hell with the Covid on top. We were both lonely; there was a long stretch of days where I wasn't allowed couldn't visit because of my own Covid, and he spent the entire stretch of his Covid - almost three weeks - not allowed out of his room, even into the hall to take a walk. Necessary, but hard. Covid hospital prison. I'm sure this has been a familiar story for many families, and I'm sure a lot of the stories are far worse.
I am thinking of my America friend who had to say goodbye to her grandmother, who more or less practically raised her, as she died on facetime. I am thinking of all the horrors echoing over the last few years that we still haven't even heard about. I am trying not to think too much.
I consider us lucky. Here we are on release day...looking over the beautiful Hudson Valley.
Note the Aotearoa pounamu. :)
And so...
so it goes.
I take it slower once again.
I took the vehicle of my life from a constant 110 mph down to 85, down to 75, down to 55, down to 35, then finally down to 10pmh...and when I thought I could go no slower, I took it down to 5mph.
I am not almost idling.
But I don't mind.
This was all so necessary, and I know it. It couldn't go on at that speed, anyway. And you have to stop a vehicle before you can turn it around.
I am turning the vehicle around. It needs an oil change, a full new set of tires.
Or, as I'm enjoying saying lately: it is not a great practice to build a plane during take-off.
One. Thing. At. A Time.
And as I say in the video: the drought-ground will not take a flood of water. It has to go drop, by drop, by drop.
I'm so tired from the Covid. I know I have to listen to my body, to my heart-head. I cannot take every call, I cannot answer every text, I cannot follow up on every chat I had in July, when I thought August would be expansive, I cannot do very project...I cannot even open the mail.
I can make dinner.
I can do the dishes.
I can sit on the porch.
I can water the plants.
I can not water the plants, and forgive myself when they get sad and dry.
I cannot fix the climate crisis.
I can get a bath ready, and get a kid to bed.
I can sometimes make a phone call.
I can go for a very slow walk.
That is pretty much all I have in me.
And I will not push myself. I have seen where it leads.
I can read a short poem. I can think a short poem.
I can allow a poem to be read to me, and fall into the arms of the poem.
I can know I am the poem, and so are you.
That's all I have right now, and I know it is enough.
......
WHAT ELSE HAS HAPPENED THIS MONTH....?
I did a webcast for the $10 tiers and above - Michael came on, and Hayley came on too. TEAM AFP REUNION TIME.
It was a really beautiful one...and I don't always do this, but I've opened up the archive to all levels. So anybody can catch up with the webcast HERE:
https://www.crowdcast.io/e/u10elzj6
I'll schedule the next one very soon...stay tuned.
I was hoping to do one this week, or next week, but...everything happened.
Next week may work. Just hold the phone.
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And SPEAKING OF WEBCASTS....
we also live-streamed my show at the O+ festival in upstate New York, which was also my FIRST (and very probably ONLY) full show here in the US since 2019.
Eek.
The benefit raised $25,000 (!) for the cause...it was a gorgeous and soulful show full of guests, covers, surprises, all in the stunning Old Dutch Church in Kingston, New York. I have a feeling I'll be back there to play more shows. It was incredible:
I want to point out the obvious:
YOUR PATRONAGE HELPED RAISE A TON OF THIS MONEY.
The patreon is a really beautiful circle. What we are able to collectively pump into the goodwill karma is pretty incredible. With the patron funds, I'm able to not only cover my nut and costs, but also do stuff like this for free that is so, so important for the community at large. Please don't forget this, and how amazing it is that it works, and give yourself a pat on the back.
The patreon is about more than me just having money to afford life and art. It goes bigger and wider than that, because of your trust.
So...fuck yes patreon.
We "Thinged" the full webcast to fund its existence, so you can read all about the show and see a TON of photos here:
https://www.patreon.com/posts/70740928/
....and rewatch the webcast itself here:
https://www.crowdcast.io/e/anotherworld081322
......
And...... then the day after the show, I came down with covid.
That was August 13th.
My dad just got out of the hospital a few days ago, and it's more or less been a work-blackout since then.
But it was also a weird gift.
You know me.
I love a weird gift.
The weird gift was that, after about a week and change in the ICU in Rhinebeck (which is about a 40 minute drive across the river from my house in Bearsville), my dad got transferred to what I called "Covid Siberia"....a tiny little hopsital in the mountains in a town I'd never heard of. Ellenville.
That was the only hospital that would take patients with Covid.
Well...it turns out that the hour long drive to Ellenville, NY, is one of the most stunning summer drives in the world.
Every day, I spent at least couple hours in the car, wending through the mountains, falling quietly in love with Stone Ridge, Kerhonksen, Accord, Mohonk Mountain, Sam's Peak, High Falls, Widow Jane Mine...these little swimming spots and neighborhoods that have always been a stone's throw from my house but I've always been too harried and too pre-occupied to explore.
It was like the universe forcing my hand to embrace the nature that's always been right on my doorstep but I've had my face shoved in a screen too much to notice. Here are some of the highlights.
I've fallen in love, and didn't expect to. I have my dad and the weirdness of the NY hospital system, to thank for that.
Like mother like son....
To all the helpers....
Near Sam's Peak....
The water is still delicious...
AHHHHHHHH.
ARE YOU HERE YOU ARE
I also spent many, many, many hours in bed with Covid.
I got no pictures of that.
It was just me, looking dumb and sleepy.
.......
And, in addition to all that waylay beauty....I got two beautiful moments of Art Respite over the last few weeks.
One was taking Ash to a free/pay-what-you-can outdoor performance of Midsummer Night's Dream here in Woodstock...(there's a cute little Instagram post with some footage here).
My happy place, truly. Seeing people make theater from their hearts.
I was so impressed that Ash made it through the entire two hours of the show without disrupting. He's in love with Puck. He is puck.
And I took Ash to see an Earth Opera in the Widow Jane Mine...a venue that I'd love to do some exciting things in now that I know it exists.
The Widow Jane Mine is an impossibly gorgeous venue, and only about 30 minutes from my house; you bring your own chair. It’s an old limestone quarry in Rosendale, NY, the empty space which was hollowed out oh so long ago went to create the imposing limestone buildings of manhattan.
Displacement. Upstate building Downstate. What makes a city a city. What makes a cave a cave. The underground lake is an opera in itself....
I fantasize about the dolls doing something here. Last month I took Ash to some taiko drumming (THE SOUND!!!!) in the Cave and this month, there was an "Earth opera" from Elizabeth Clark, fellow patreon artist (see plug below!), with a cast of over 30 people...and candles in the audience...
Ash and I had to kick around the edges due to his inability to be, y'know, silent, but enjoying an opera from the edges of a mine-mouth in a forest is a magical experience in itself.....
There's some more photos and video footage from the show and venue that I took here...
......
ANDDDDDD
YES:
THE DRESDEN DOLLS TRIUMPHANT RETURN IS AFOOT!!!!!!!!!!!!
Tickets came and went in the space of 3 hours, all gone completely to the mailing list.
Some people were upset that the tickets all went to the mailing list, so....I will reiterate again:
1. THE DRESDEN DOLLS WILL BE COMING BACK, WORLDWIDE.
2. THE MAILING LIST WILL ALWAYS GET FIRST ACCESS.
3. IF YOU AREN'T ON THE LIST, GET SUBSCRIBED NOW:
http://dresdendolls.com/emaillist
4. THE END.
We have also learned from our mistakes this round, and next time we will announce a TIME for tickets going on sale, so you won't be frantically checking your emails all hours of the day and night. SORRY. We live, we learn.
In the mean time, we have put the new merch collection up for pre-order on the website, all designed by the incredible @cocorrina!!!!
It's all up for pre-order now on both the US store AND the UK store.
Go get.
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PROJECTS RELEASED THIS MONTH....
My podcast with Susan Cain "Longing For The Beautiful World" FIIIIIINALLY came out after sitting on the backburner since August 2019, as we waited for her book to come out into the world.
Now the BOOK is out, the PODCAST is out, and you can go and fill your ears with Susan.
The podcast it in all the usual podcast places, and you can read about it here:
https://www.patreon.com/posts/66684830
And her new book, "Bittersweet: How Sorrow And Longing Make Us Whole" is an incredible read that I think will touch a nerve with many people here..... just a hunch.
https://susancain.net/book/bittersweet/
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ANOTHER WORLD: streaming from the O+ Festival in Kingston, New York
As mentioned up above, we recorded and live-streamed the show, and it's available to re-watch now.
https://www.crowdcast.io/e/anotherworld081322
The link to watch is public, so go share far and wide!!
And you can read all the behind the scenes info and see a ton of photos in the Patreon post here:
https://www.patreon.com/posts/o-fundraiser-so-70740928
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WHAT'S COMING DOWN THE PIKE
There are a few projects that have been in the shoebox, but are getting close to the finish line...god, I hope.
I am endlessly patient with myself and I know you are too.
Life happens. Covid happens.
Whatever.
My prayer, is that "Look Mummy, No Hands" music video will see the light of day this fall.
A few more sneak peeks of the video so far for you...
If and when it comes out three years late, it'll have more meaning than you can ever imagine.
......
THE Mona Foma Confessional documentary, filmed in Tasmania in 2019, where I held a confession booth before my show....this one I hope to get out the door, too. The project led to the song "Suck it Up, Buttercup", and it's a goodone....the release of which got sucked up by the bushfires and Covid. Time to ponder that.
It's all just been delayed and delayed.
Here's a still from the doco:
......
And a couple of projects that I have swimming around in my mind for the future...
A video/reading collaboration with Sophie Stand and Holly Miranda?....Sophie Strand is a new friend up here in Woodstock, you can see her in the live-streamed show from O+ Festival. She did an INCREDIBLE READING of her own work and Holly and I thought it might be beautiful to THING and make a youtube video of the reading....with video footage that Holly collaged together. Who's Holly? Holly Miranda is a beautiful singer and songwriter who was meant to join us that night too, but came down with covid before the show. FULL CIRCLE CIRCLING.
Stay tuned for that.
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The Great Burning Of Things
You may remember back in 2018 when I was working on the artwork for There Will Be No Intermission, we put a call out for you to SEND US ITEMS that you wanted out of your life.
We used them in the artwork...
(and now you can also BUY THAT IMAGE AS A PUZZLE - IN THE US OR THE UK STORES)
... and then we promised to burn everything in a huge, ceremonial bonfire.
And then I went on tour.
And then Covid happened.
And then New Zealand happened.
And then now happened.
So.... CATHARTIC BONFIRE???
WHEN??? WHO WANTS TO COME TO WOODSTOCK AS WE BURN ALL THE THINGS????
I'm sure we can turn it into Art and make a Thing out of it.
Maybe there's a new video to be made.
I don't know.
I feel this stuff must be extra-burned at this point.
Talk to me.
......
DISPATCHES FROM TEAM AFP
FROM ALEX...
Hi patrons!
In between patreon-post-assembling and merch-dispatching this month, I managed to sneak away for a few days at the Edinburgh Fringe festival...
I've been going regularly since 2011, so the last two years have left a big arty hole in my heart. This year I managed to catch 27 shows in 4 days, and my GOD that hole has been healed in the most beautiful way.
In case you've never been to the Fringe, let me set the scene: THE ENTIRE CITY IS JUST FULL OF ART.
And when I say 'the entire city'..... anywhere that can potentially become a theatre venue becomes a theatre venue. Of course you have your actual theatres, and your back-rooms in pubs, but then you also have lecture theatres, hotel conference rooms, random marquees popped up. There are about 200 spaces across the city that become venues. And then they host shows, all day, every day, for 4 entire weeks. Starting about 10am, and going right through until 2am, there are things happening every.
Theatre, music, theatre, ballet, opera, stand-up, magic, drag... anything you can think of, IT'S HAPPENING THERE.
And it made me so happy just to be back there again this year, I cried at least twice just because it was happening.
The best thing I saw? "Lies, Damned Lies, and Buffy the Vampire Slayer" - an hour-long comedy presentation by a man who had painstakingly recorded every single death in the show Buffy the Vampire Slayer (including location, perpetrator, method, weapon, minute within the episode that it occurred, and 20 other data points) and then extrapolated a whole bunch of information about what this means for an "average" death and what death actually means within a show all about death.
The most uncomfortable thing I saw? "Flight" - inside a shipping container that had been completely dressed up to look like the inside of a plane cabin, you take your assigned seat within the plane, put on the headphones... and then the entire place goes pitch-black, and the 25 minute show is all done entirely through immersive audio, where there are two versions of events cutting through each other - one where the plane lands safely, and one where the plane crashes. SCHRODINGER'S PLANE CRASH.
Anyway. That's enough of my preaching about the fringe festival (IT'S THE BEST PLACE IN THE WORLD)
(me and a giraffe near the edinburgh castle)
CATCH YA NEXT MONTH
-Alex
xoxox
{Seconded on the fringe recommendation for "Flight", I saw it a few years ago and was deeply moved (no pun intended). WE LOVE YOU ALEX......xxxxx - AFP}
........
The rest of Team AFP is busy and tired.
Love them all, please.
It's a slow, sad season.
.........
HOW THE PATREON ITSELF IS DOING!
As of this writing there are about 11,200 patrons pledging about $36,000 for the first Thing each month.
A VERY IMPORTANT NOTE FOR NEWCOMERS: you are welcome to (and encouraged to) CAP YOUR PLEDGE! PLEASE.
Your pledge on Patreon supports me per Thing that I release, but sometimes it's unpredictable how many Things will come out in a month (sometimes it's just 1, usually it's 2 or 3, we have been known to do 6 or 7).
We know this can create financial insecurity and uncertainty - so Patreon allows you to cap your pledge. This is, essentially, setting a MAXIMUM amount that you want to pay per month. YOU CAN BUDGET. Say for example, you're happy to pay $3 per Thing, but you don't want to pay more than $10 a month. In that's the case, you can "cap" your pledge at $10, and whether I release 4 Things or 40 Things, you won't be charged more than $10. But MOST IMPORTANTLY, you will still have access to ALL the things, even if you cap your pledge!!! It doesn't effect access.
You can read all about capping your pledge here.
I go over this stuff in every Althing, but if you're new to all this: Patreon charges you monthly & retroactively, meaning that you get billed on the 1st of the month for all the Things released the month prior.
Because people have their pledges capped (SEE ABOVE), the first "Thing" raises the most money by far, and anything released thereafter raises less and less. I LIKE THIS! THIS IS GOOD! It means I never feel guilty about releasing TOO MUCH!! So really. Please, cap your pledge if you are on a budget.
In July, I Thanged THREE Things:
Millenium Actress, which earned about $40,329 from 11,220 patrons
Breaking The Stained Glass Ceiling: Two Pieces of Writing, which earned about $16,776 from 6,206 patrons
The State of All Things: July 2022, which earned about $9,620 from 3,765 patrons
(we say "about" because patreon may be still trying to process some pledges that have yet to go through...we never know, you know.)
Them's the numbers.
And remember: these numbers are gross. Not net. Meaning: it's the money raised before fees were deducted by patreon and is not the total deposited to me. patreon takes a 5% fee (which they use to build and sustain the platform, which is GOOD) and then there's a payment processing fee, which varies on a ton of factors and is usually between 5-9% of the total collected.
These numbers also do not reflect the money I SPENT MAKING THE ART, paying my staff, paying the office rent, paying for crowdcast, getting myself around, getting the team around and fed and slept, all the collaborators, and my actual staff payroll, etc.
I don't share that level of nitty-detail-stuff with you because I assume it would bore you to fucking tears. but you can trust me: paying for a full-time staff, office, manager, accountant, and massive team of art-collaborators ain't cheap. sometimes we barely break even.
......
OTHER ARTISTS TO SUPPORT & FOLLOW
Chris Wells (MC from the O+ Festival show, and beloved friend) has started up a new podcast, called "Big & Salty"...
It's a series of stories, told in front of a live audience. I highly recommend for short doses of funny and beautiful storytelling.
............
If you want to support a local artist doing cool operas in MINES, as seen above, Elizabeth Clark is here on patreon and it's a lovely little community if you wanna support something hyper-local! https://www.patreon.com/mamalamamusic
..................
A slightly more unusual support request than usual, but our pals at the O Positive festival are planning for their next event - and if you're local to Kingston, NY YOU CAN HELP!!!
From their Instagram:
Do you have a spare room in your home? Do you have a second home or apartment in town? Or a really comfortable couch, a finished basement, a yard that is perfect for camping in, or an RV in your driveway? Are you a hotel, B&B or apartment building manager who would like to offer a room or two or ten to support a local arts non-profit organization through an in-kind donation?
The O+ Festival is seeking accommodations for artists and musicians who will be performing, exhibiting, producing and activating the City of Kingston during the 12th Annual O+ Festival October 7-9, 2022. Sign up here: http://bit/ly/ohousing
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ART BEGETTING ART
Don't forget, if you would like to see your art featured here, you can tag e on social media @amandapalmer, or email to art@amandapalmer.net!
For this month.....I really loved this one from keatsjhn on twitter...especially how the red looks like blood running down my thighs. and the intermission-less ukulele. and the wings on which I imagine flying far far away.
I love the endless circle of art.
Here's a gorgeous piece from @katscarletart:
Some creepy gothic-looking Evelyn Evelyn twins from @jackalope_in_your_walls:
....and to celebrate our return, THE DRESDEN DOLLS IN ANIMAL CROSSING. created by @themouseandthemodel .
WHOA.
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THE PATRON COMMUNITY BULLETIN BOARD!
This is a space for YOU, the patrons, to share things with the community - if you've got a new book to promote, you've just started a podcast, you're fundraising for charity, or need assistance for yourself - THIS IS YOUR SPACE. Send us an email at patronhelp@amandapalmer.net if you'd like to post something here next month!
For this month...
Patron Dan Moran sent through this GoFundMe for their dear friend, Christian.
Christian Thee, world renown artist, is facing foreclosure on his modest Columbia, SC home/studio where he has created amazing art since 1994. His career actually goes much further back with many years living & working in New York as a set designer and mural artist (some of his clients were Joan Rivers, Donald Trump, and the Royal Family of Britain!) The pandemic hit his business very hard and has put him behind on taxes & insurance and now his livelihood is in jeopardy. His home/studio is very special and irreplaceable. It is unthinkable that it could be taken away from him. His friends have created this GoFundMe to raise the money needed to pay those past due obligations. Any donation would be deeply appreciated. Thank you.
To learn more about Christian's life and works, check out these articles:
https://www.nytimes.com/1986/11/16/nyregion/artist-specializes-in-tricking-the-eye.html
Again, the link to the fundraiser is here:
https://www.gofundme.com/f/help-christian-stay-in-his-home
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That's all I got this month, my loves.
I hope I have time to surface soon, but given the way things are going, it's going to be an endlessly slow recovery and pace of life,
and I'm
fine
with
it.
I submit to the planless plan, whatever it is, people.
Steady, steady, steady as she goes.
x
A
P.S. If you made it to the end of the video...here you are.
------THE NEVER-ENDING AS ALWAYS---------
1. if you are a patron and new to my work, don’t forget your patronage allows you access to ALL of my patreon releases to date. HERE is the link to download my latest big solo record, “There Will Be No Intermission”, and HERE is a link to download the PDF of the art/essay book that goes with it.
2. if you’re a patron reading this post via an email notification, please click through to comment on this post. at the very least, if you’ve read it, indicate that by using the heart symbol. that's always nice for me to see, so i know who's reading.
3. see All the Things (over 150 of them) i've made so far on patreon:
http://amandapalmer.net/things
4. JOIN THE SHADOWBOX COMMUNITY FORUM, find your people, and discuss everything: https://forum.theshadowbox.net/
5. new to my music and TOTALLY OVERWHELMED? TAKE A WALK THROUGH AMANDALANDA….we made a basic list of my greatest hits n stuff (at least up until a few years ago, this desperately needs updating) on this lovely page: http://amandalanda.amandapalmer.net/
6. general AFP/patreon-related questions? ask away, someone will answer: patronhelp@amandapalmer.net
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