The Welsh sun was relentless that day, pouring itself over the river until the whole surface shimmered like a strip of silver foil. The greens around me felt impossibly bright, almost humming with their own energy. And there I was, barefoot on a fallen tree stretched across the water, its bark rough under my feet, daring me to trust it.
I stepped along the log slowly, arms out just enough for balance—part grace, part flirtation with gravity. I could feel Moroi watching from the bank, the quiet way he always did when he wanted the moment to unfold on its own.
“Dip your finger in the water,” he called, low and coaxing. “Feel the flow.”
So I leaned. Not too much—just enough to let a little tension build between safety and mischief. My fingertips touched the surface, and the river responded instantly, sending tiny ripples outward like it was whispering back to me. Sunlight broke over them in glittering fragments, and for a second I felt like I was drawing patterns onto the water itself.
Every shift in my posture seemed to change the whole scene—the tilt of my head, the way my fingers lingered a heartbeat longer than necessary, the stretch of the tree beneath me. I could feel the river, the sun, the air… all holding their breath with me.
When Moroi showed me the shot later, it wasn’t just a pose captured.
It felt like a quiet study in balance—mine, the river’s, the world’s—suspended in one teasing moment where everything aligned just right.
And I loved knowing I was the one tipping that balance on purpose.
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