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I enjoy working with dancers like Miriam here.

It’s usually very controlled—you can repeat each pose until you get the light just right and freeze the moment, then move on…

And I also admire the capabilities and musculature of dancers, like this.

The light was a 57-inch zeppelin, but with the diffuser removed to give it more punch and a lamp with a large reflector pointed inward so it became a big deep silver umbrella.

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