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I was taken completely by surprise when I first saw Eowyn pose. She has a unique capability to live herself into the mood of any frame, which is a very rare quality that I find compliments my style of image making very well.

Sha has been duly added her to my mental list of preferred models.

Lighting on this is a overcast sky above slightly tunnelled by the passage we stand in and by moving her slightly back I prevent too much light from above. So I twisted her body away from the light to crate the accentuation on her brest, and directed her face into the light. 101 on how I teach lighting.

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