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I shot this image with Aria Rainbow in a derelict church in Milan. The light was streaming in through orange windows, and that, of course, had to be utilized. 

When I shoot on location, I always watch for streaks of light through windows, doors, etc. Sometimes the light can be magical, but transient so you have to use it when it's there.

The blueish colors occur because I modified the white balance to remove some of the oranges from the light, leaving everything else the complementary color, blue.

It does help tremendously to center attention on the model.

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Rob Polder

wonderful image, thomas, with the coloured light working great, including the blue patch in the background, but I'd clone out the two lamps lower right for a more timeless feel.. tfs!