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When I photograph models in any environment, I will try to integrate them. 

Have them try to interact or do something that makes sense in a place while at the same time trying to get the best possible light.

Because of the large windows here, I could shoot AB Tønnesen in a beautiful backlight (again, I have a couple of black light blockers just off-camera to eliminate too many reflections from the room). In that she is working toe ox-chair, she is integrated. But there is also an exhibitionistic undertone because of the windows, isn’t there?

You can’t help wondering if she wants to be seen doing what she does. And I think that gives the series an extra edge.

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