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This, again, is an experiment of breaking conventions: Half in and half out of the shade.
I noticed that the concrete’s shadow and top line were almost parallel, so I placed Lilith in the middle.

It’s not great art, but there is some visual excitement and I like it.

Interestingly, you can see how pleasing the light on her face is (although on the dark side). That is what open shadow often does: Very soft but directional light.
But here, you can see both the effect of direct and indirect light.

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